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Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Thursday, 15 September 2016

SNCF’s catchy little renaming of Paris-Bercy railway station

There's a lot to be said for getting the name right, isn't there? Especially when you’re promoting a product or a service.

The simpler, catchier and more relevant the better.

Bearing that in mind and with a magic wave of its wand, SNCF (Société nationale des chemins de fer français - France’s state-owned railway company) - and of course not succumbing to the implicit political pressure “state-owned” might suggest - has renamed one of its main Paris stations.

On Tuesday, Paris-Bercy - based in the area of the Paris of the same name - officially became…wait for it…”Paris- Bercy- Bourgogne - Pays d’Auvergne”.

Paris- Bercy- Bourgogne - Pays d’Auvergne (screenshot from France3 report)

Snappy, isn’t it?

Precise and to the point and not at all an unnecessary mouthful.

Apparently it took several (well-used) (wo)man hours of meetings to come up with a compromise that would satisfy elected politicians of both Bourgogne (or Burgundy in English)  a  former administrative region of east-central France which is now part of the new Bourgogne-Franche-Comté region and Auvergne, another former administrative region which is now part of the larger Auvergne-Rhône-Alpes (the number of metropolitan regions in France was reduced to 13 as part of a cost-cutting and efficiency exercise aimed at making local government and administration  simpler, yadda yadda yadda)

On hand at the inauguration ceremony to soak up some of the political glory (????) was the president of the Auvergne-Rhône-Alpes region, Laurent Wauquiez, He was only too keen to emphasise how the name change a) would reflect the area of France the railway station actually serves and b) would be a window to the world for tourists (honestly, even if there’s some truth in the declaration, only a politician would have the gall to say so).


Laurent Wauquiez (screenshot from France3 report)


“At last there’s a railway station in Paris that carries the name Auvergne,” he said in a television interview. “It’s really going to be a super way to promote our region.”

Similarly over the moon  was Marie-Guite Dufay, president of the Bourgogne-Franche-Comté region.

“It could increase travellers’ knowledge of our regions as a tourist destination,” she said enthusiastically.

“There could be demonstrations (at the station) of our regional products by people from the area,” she added, perhaps forgetting that…well…”Paris- Bercy- Bourgogne - Pays d’Auvergne” (what a mouthful) is just a railway station and nothing more; a point of departure and arrival et basta.



Marie-Guite Dufay (screenshot from France3 report)

Still, politicians love “over-egging pudding” whenever they get the chance.

Surely all that passengers passing through the railway station (and adjoining bus terminus) really care about is that the trains are on time and that SNCF can provide a reasonable service that isn’t too costly.

Friday, 9 September 2016

Friday’s French music break - Claudio Capéo, “Un homme debout”

There is life after “The Voice : La Plus Belle Voix” even if a) you don’t win it and b) by your own admission you’re far from having the talent to match those who have really been blessed with vocal cords that actually merit the moniker.

Such is the artist featured in this week’s Friday French music break; Claudio Capéo with his breakthrough single “Un homme debout”.


Claudio Capéo (screenshot from “Un homme debout” official video)

Capéo (real name, Claudio Ruccolo) appeared in the most recent season of “The Voice” (Won by? Won by? - Do you remember? Do you even care?*), made it through the blind auditions, only to be knocked out in the first round of “les battles”.

Don’t worry if you’re not familiar with the format. It’s enough to know that Capéo didn’t get very far but, as he says in his own words, he wasn’t at all surprised.

“I found it incredible that I was chosen to take part,” he said in an interview on BFM TV. “Just look at what I look like...and I even haven’t taken singing lessons.”

The 31-year-old, who had been playing in the Paris métro for several years, simply took part in the programme to get some professional advice and also (perhaps) some exposure.

And it paid off as his latest single, “Un homme debout” has become one of the surprise summer hits here in France and his latest album (his third)  imaginatively entitled “Claudio Capéo” held the number one spot for five weeks and turned platinum.

Plus he has a series of concerts lined up in towns and cities throughout France in October, November and December, including one date at La Cigale in Paris.

Not bad going for someone whose gravelly voice is (and let’s be upfront about it) not really among the best, but who, along with his cherished accordion (which he has apparently been playing since the age of five) certainly seems to have captured the attention of many French.



* Slimane Nebchi for those who have been racking their brains…and for those who haven’t)


Friday, 2 September 2016

Friday’s French music break - Måns Zelmerlöw, “Should've gone home (Je ne suis qu’un homme) "

If you’ve been following Friday’s French music break for a while now, you might have noticed the trend for some featured artists to sing only in English…or a sometimes approximate version thereof.

Conversely, there are also several non-native French speakers who choose to re-record tracks they've originally sung in another language specifically for release in francophone countries.

Josef Salvat did it with “Open season” for example.

And so did Mika - although, with “Elle m’a dit”,  he went the whole hog and released a song he had never previously recorded in English.

Joining the club is Swedish pop singer and TV presenter Måns Zelmerlöw with his plaintive (good word that) but catchy “Should've gone home (Je ne suis qu’un homme) “


Måns Zelmerlöw - screenshot from video of “Should've Gone Home (Je ne suis qu’un homme"


Actually on first hearing the song, you might well think it’s Salvat again as it has the same sort of feel to it.

Now, Eurovision fans among you (and there are a fair number scattered around the globe) will probably recognise the name, because Zelmerlöw won the whole shebang for his country back in 2015 and was one of the co-hosts at this year’s show.

Originally released in August 2015 and taken from his sixth studio album “Perfectly damaged”, the French version of “Should've gone home (Je ne suis qu’un homme)” keeps the original melancholic (OK so let’s not exaggerate too much) chorus cry.

But most the verses have been translated - courtesy apparently of singer-songwriter Doriand (Laurent Lescarret) who has done the same for the likes of Mika, Julien Doré and Camélia Jordan.

Anyway, “Should've gone home (Je ne suis qu’un homme) “ isn’t that bad, and neither is Zelmerlöw’s French as the audience at a one-off performance at la Maroquinerie in Paris in October 2015 was able to hear he performed  Gilbert Bècaud’s French standard “Et maintenant”.

Et maintenant

So take a listen.

And just in case there are any Swedish readers out there - Ha en bra helg

Thursday, 22 January 2015

Canada features at job fair for France's unemployed professionals

It goes without saying that unemployment is one of the major issues currently facing the French government.

The country's president, François Hollande, made tackling the problem one of his priorities, making endless promises during his first year in office that the upward trend would be reversed by the end of 2013.

It wasn't.

In January 2014, he admitted having failed, changed tack and maintained that his Pacte de Responsabilité (Responsibility Pact - agreed with trade unions and employers' organisations and which would give business increased tax breaks) would "put the French economy back on the rails".

The assumption being that a drop in the unemployment rate would be one of the results.

He went even further later in the year, when he started talking about not seeking re-election in 2017 if the effects of his economic policies didn't kick in and he failed to cut unemployment.

Well, the jobless rate is still on the rise.

The most recent seasonally adjusted figures for Q3 2014 released by the Institut national de la statistique et des études économiques (the French National Institute for Statistics and Economic Studies, INSEE) had risen to 10.4 per cent.

Without blinding you with an endless stream of figures and percentages (you can find plenty of reports on the stats by doing a simple Internet search) the bottom line is that France is still in deep economic doggy doo (now isn't that a profound analysis) .

Help is at hand though - at least for young professionals who are having problems finding the job to suit their qualifications or those who are looking to change their career, retrain or start their own businesses.

It comes in the form of the Salon du travail et de la mobilité professionnelle - a job fair organised by the weekly news magazine L'Express and with the official backing of the ministry of employment.




It's being held at the Grande Halle de la Villette in Paris on January 23 and 24, bringing together 150 exhibitors, workshops and consultants with those looking for jobs.

Among the advice given on how best to present yourself and your cv, and in spite of the special section for the handicapped, the whole shebang seems to be put a weird perspective by two factors.

Firstly, one of the posters promoting the fair suggests "mobility" - trying another region within France.

Fair enough. It might smack somewhat of the advice given back in the 1980s to Britain's unemployed by the former conservative employment (among other positions) minister Norman Tebbit to "get on their bikes".

Or go where the work is. But it's probably healthy to remind visitors and jobseekers that France doesn't begin and end in Paris.

Secondly there's  the "country of honour"  - Canada - and the poster declaring the low unemployment rate the other side of the Atlantic in Quebec.


(screenshot Salon du travail et de la mobilité professionnelle poster)

Does that mean the French government has in a roundabout way, (because it's supporting the fair) come up with a new strategy to reduce unemployment in France by encouraging people  to look anywhere - even abroad - for opportunities?

Any ideas François Rebsamen (the minister of employment)?

Tuesday, 13 January 2015

#ouestsarkozy and #JesuisNico trend after Nicolas Sarkozy's front row appearance at Paris march

Of course it's all a matter of interpretation,

But the French media and social networks have been having a little bit of (harmless) fun at the expense of the former French president, Nicolas Sarkozy.

He was invited, in his capacity as the newly-elected leader of the opposition centre-right Union pour un mouvement populaire (Union for a popular movement, UMP) party to take part in Sunday's rally in Paris.

And, after meeting his successor at the Elysée palace, François Hollande, Sarkozy graciously accepted.

Somehow though, Sarkozy didn't seem happy to play second fiddle - so-to-speak - as he found himself a couple of rows back from the front of the march.

That highly-esteemed position was given to world leaders who had made the trip to Paris to take part in the rally: leaders such as German chancellor Angela Merkel, Mali's president, Ibrahim Boubacar Keïta, Britain's David Cameron, Spain's Mariano Rajoy and Israel's Benjamin Netanyahu

They were all snapped by the world's cameras alongside Hollande.

In total, 44 heads of state or government turned up.

And so too was Sarkozy who, on more than one occasion, managed to worm his way through to the front...where he presumably thought he so rightfully belonged...with his "fellow world leaders".

World leaders - and Nicolas Sarkozy - at the Paris march (screenshot from Europe 1 Dailymotion video)

Such "antics" soon saw Sarkozy ridiculed on the Net with Twitter a-tweet and Tumblr a-Tumblr (well you can't really say awash now, can you?) with photoshopped images of other world events (throughout history) that Sarkozy has "attended."

#JeSuisNico and #ouestsarkozy (a play on the "Where's Wally?" series of children's books which in France are known as "Où est Charlie?") were launched.

And there was Sarkozy alongside Charles de Gaulle after the liberation of Paris in 1944.

On the moon, ahead of Neil Armstrong, in 1969

Present and participating in the fall of the Berlin Wall in 1989.

With the French football team as they lifted the World Cup in 1998

And...well you get the picture.

Yes Sarkozy really was an eyewitness to history down the decades.


Nicolas Sarkozy s'impose sur la photo by LeLab_E1

Friday, 21 November 2014

Friday's French music break - Brigitte, "À bouche que veux-tu"


Friday's French music break this week is sheer delight and a real treat.

It's the title track "À bouche que veux-tu" of the the new album released this week from the duo Brigitte.

Brigitte (screenshot from official video of "À bouche que veux-tu")

The group are the "indie folk musical duo" of Aurelie Saada and Sylvie Hoarau and, it quickly becomes clear that "indie" label is highly appropriate in the sense that their music is hard to categorise.

Their Myspace bio - yes some artists still seem to be using it - describes them as "A throwback to the flower power era, '60s revivalists...combining lounge-pop, retro folk, and French cabaret to produce an authentic hippie-chic sound."

And that, if anything, seems a pretty accurate description.

Their music (and their videos) is (are) highly stylised, melodic and yes, retro without a doubt.

But the duo are also very "modern"...if that makes any sense (and when did you last read a musical review that did?)...offering a distinctive sound that won't leave you indifferent (in a very positive way).

Take a listen for example to two of their best-known past singles, "Battez vous" and "Oh la la" and you'll quickly become hooked.

Brigitte already have one Victoire de la musique award under their belts for Group or Artist Stage Révélation of the Year in 2012 - and this album, and the accompanying tour should ensure they'll be in the running once again next year - perhaps for one of the major gongs..

You can catch the pair on tour throughout France, including two dates at Olympia in Paris in May 2015.

So without further ado, here's a taste of what you can expect...Brigitte with "À bouche que veux-tu".

And as a bonus, the official version followed by an acoustic one.

Enjoy.

You most definitely will!



Wednesday, 5 November 2014

François Hollande in Canada - making his political mark - really?

All right, so we've established that, in spite of being briefed (presumably) the French president, François Hollande, doesn't exactly come top of the class when it comes to putting faces to names...well at least not in the case of Canada's national hero Kevin Vickers.

But what do you know?

It kind of works both ways.

Few, it appears, in Canada, seem to know who Hollande is.

The French president has just completed an official three-day trip to the country - the first by a French leader since François Mitterrand back in 1987.

François Hollande and Canada's prime minister Stephen Harper in western Canada (screenshot Euronews)

He was, of course trying to drum up business, pointing out that France was only Canada's "eighth-largest trading partner" and that "it could do better".

And he was paving the way for next year's United Nations Climate Change Conference (COP 21) to be held in Paris, saying he was, "counting on Canada to be fully committed to the fight against global warming, and do its part."

That wasn't and won't be an easy task as Canada pulled out of the Kyoto Protocol (committing countries to reducing greenhouse gas emissions) in 2011 and reportedly has no plans for reducing emissions from the Alberta oil sands, the country's fastest growing source of carbon emissions.

All well and good on the political front, with a timely "message of support" in the global fight against terrorism, just a week after Michael Zehaf-Bibeau killed a soldier, Nathan Cirillo, guarding the national war memorial in Ottawa before going on a shooting spree in the nearby parliamentary buildings.

And you would at least expect politicians to know who Hollande was and what he stood for.

But not so, apparently for the rest of the country where he was apparently "relatively unknown".

"If you were to ask anyone on the street who François Hollande was, I bet they wouldn't know,"  Canadian journalist Vincent Brousseau-Poulliot for La Presse said on Europe 1 the day Hollande arrived in the country.

"Hollande's not exactly flamboyant,  and although he may well be likeable, he's not perceived to be as tough or as well known as for example Nicolas Sarkozy."

Bet that went down well at the Élysée Palace.

And there's more (or worse, if you like).

For the man, who during the final televised debate during the 2012 French presidential campaign delivered that now famous 15-point "Moi président de la République" speech insisting that he would ensure his behavior was exemplary at every moment ("Moi président de la République, je ferai en sorte que mon comportement soit en chaque instant exemplaire) guess what he is probably best known for in Canada.

François Hollande, "Moi président de la République" (screenshot Le Monde TV 2012)

His private life, according to Sébastien Tanguay, a journalist for the Canadian francophone newspaper Métro.

"We've all heard and read about his affair with Julie Gayet and the break up of his relationship with Valérie Trierweiler," he said.

"But very little his known about his politics and policies."

Join the queue Monsieur Tanguay.

So there you have it.

Hollande might not know what Canada's national hero Kevin Vickers (the the sergeant-at-arms at the House of Commons of Canada in Ottawa who put an end to gunman Michael Zehaf-Bibeauman's shooting spree in the parliamentary building on October 22).

But in return, Canadians apparently know little or nothing about the French president.

Friday, 24 October 2014

Friday's French music break - Étienne Daho, "En surface"

Friday's French music break this week is from a singer who first broke on to the music scene back in 1981.

It's "En surface", the most recent single from Étienne Daho and taken from his 2013 album "Les Chansons de l'innocence retrouvée"

Étienne Daho (screenshot from official video of "En surface".

As you can tell, Daho has been around a while and has built up a firm and loyal fan base and has become (in the words of the promotional blurb) "one of the most influential personalities to have emerged on the French scene in the last 30 years"

Part of the problem (for those not quite so enamoured of his music) is that Daho seems to have been "singing"  (inverted commas entirely intentional as he has a "voice" that surely only the French could "love") variations of the same song since the 1980s.

And in fact, he appears to be well and truly stuck in that era, offering up little that is sparklingly different, not to mention tuneful and instead relying on a tried and tested recipe of electro-pop "synth-driven and rock-surf influenced" (his English language Wikipedia entry, so you know it must be right). music which has, admittedly, served him well over the decades.

Very well in fact with every album turning gold or platinum and a slew of successful singles.

Granted "the familiarity factor" could probably be said to be true for many artists who've proven their longevity, but in the process, Daho just sounds too moody and bored when he sings. Don't you think?

"En surface" is one of those songs that you hear and wish would be over quickly because the melody and the "low whispery voice" have a combined soporific effect (for some) which will simply send you off to the Land of Nod.

All right. That's not exactly fair - just an opinion.

There are plenty around who have enjoyed, and continue to do so, Daho's music. And the album from which this track was taken, received some pretty good reviews when it was released.

Writing in Le Journal du dimanche, critic Éric Mandel described "Les Chansons de l'innocence retrouvée" as an "ambitious and elegant album" and one that was "sumptuous with songs that stood out for their emotional power."

Oh well.

And then there are the diehard fans, some of whose comments on the "En surface" video on YouTube are equally gushing

"Magnifique chanson , magnifique clip, magnifique chanteur, magnifique voix !" for example. Really, you shouldn't need to run that throught Google translate.

Or

"Une très belle chanson."

And

"Ma chanson préférée de l'album.....octobre est encore loin  pour revivre la magie de ses concerts."

Ah October...and the "Diskönoir" tour which will, over the next few months, see Daho take the show on the road around France (with three dates at Olympia in Paris) Belgium and Luxembourg, plus a date in London on October 23.

Ready? Judge for yourselves.

Actually it's not so bad after a dozen or so hearings....

Monday, 20 October 2014

Paul McCarthy's giant "sex toy" inflatable Tree sculpture deflates in Paris

What's the difference between a work of art and an anal sex toy?

Well, according to some, only size - at least when it comes to the most recent work from American artist, Paul McCarthy.

"Tree" a temporary (very much so, as it turned out) 24-metre high inflatable green sculpture "adorned" the swanky Place Vendôme area of Paris last Thursday - but not for very long.


Paul McCarthy's "Tree" (screenshot AFP video report)

Even as it was being erected (no pun intended) "Tree" brought with it controversy as a passerby, clearly offended by its intended "ambiguity", slapped McCarthy in the face, saying that the 69-year-old artist's creation was "un-French" and "had no place on the square".

Organisers of La Foire internationale d’art contemporain (International Contemporary Art Fair , FIAC) set to run from October 23-26 and of which "Tree" was intended to be a part, leapt to McCarthy's defence.

"It's heartbreaking that an artist should be attacked in this manner," Jennifer Flay, the artistic director of FIAC told Le Monde.

"Of course this work is controversial, it plays on the ambiguity between a Christmas tree and sex toy: this is neither a surprise nor a secret," she continued.

"But there is no offence to the public, and enough ambiguity to not upset children. It has also received all the necessary approvals : from the préfecture of police of the city of Paris, the ministry of culture and the comité Vendôme, which represents the business owners on the square."

"What is art meant to be if not to disturb, ask questions and reveal society's flaws?"

Righty-ho. That's justification enough then.

Opponents though were having none of it.

And on the night of Friday to Saturday, a group of protesters cut through the cords holding the artwork in place.

FIAC decided to deflate it to prevent any damage being done, saying that McCarthy requesting them not to reinflate it because, "he was worried about potential trouble if the work was put back up."

"Instead of a profound reflection about objects as a mode of expression with multiple meanings, we have witnessed violent reactions," said the artist who had also admitted earlier that the idea "started with a joke".

"Originally, I thought that a butt plug had a shape similar to the sculptures of Romanian artist Constantin Brâncusi," he said.

"Afterwards, I realised that it looked like a Christmas tree. But it is an abstract work . People can be offended if they want to think of it as a plug, but for me it is more of an abstraction.”

For those of a more um...more timid temperent or delicate disposition among you who've no idea what an anal plug looks like, try typing those words into you search engine and then click on image.

You'll quickly get the picture...and what all the fuss was about.

Tuesday, 30 September 2014

Valérie Trierweiler's travails - and the price of fame

She might have written a best-selling warts and all score-settling book, "Merci pour ce moment", published at the beginning of September 2014 and politely described as a "political memoir" but that doesn't seem to have endeared France's former first lady, Valérie Trierweiler, to the nation as a whole.


Valérie Trierweiler  (screenshot BFM TV report on release of "Merci pour ce moment")


Indeed, given a recent poll, she's giving her former partner, the French president, François Hollande, a run for his money in the unpopularity ratings

Yes another poll.

Clearly someone at le Parisien/Aujourd'hui en France thought it would be interesting to discover what the French felt about their former first lady...and then tell them what they probably already knew.

Namely that 69 per cent of those questioned (a representative sample of the population as a whole of course) had a "bad opinion" of Trierweiler and 59 per cent thought she had been wrong to write her book.

(screenshot "Merci pour ce moment" front cover)

On the other hand, while some might not agree with what she wrote and others might not like her (if the survey is to believed) Trierweiler still elicits a great deal of interest.

Or is it simple curiosity?

Because on Saturday (the day before the poll was published) the Paris Match journalist (yes she still works for the magazine) had to beat a hasty retreat while out and about.

Trierweiler was in the Barbès area of northern Paris - shopping (for cassava and plantain, as she would later reveal) with a friend -  and being the celebrity that she has become was quickly recognised by people eager to have their photo' taken with her.

But it all threatened to escalate out of control and a plainclothes policeman (who just happened to be around) apparently directed her into one of the shops while he waited for reinforcements to allow her to drive away from the adoring throng.

Making light of the "incident" Trierweiler later took to her preferred method of communicating with fans and followers - on Twitter, of course.


"Thank you for the welcome very very warm welcome in Barbès . Neither panic nor the need to go to the police station. But cassava and plantains. And a lot of selfies."

Ah. The price of fame.


Friday, 26 September 2014

Friday's French music break - Cats on trees, "Love you like a love song"

It's not often an artist or group features more than once on Friday's French music break.

But hey - there exceptions to the rule.

And the recent cover version of Selena Gomez's quintessential 2011 pop song "Love you like a love song" by the French group Cats on Trees, was just too good not to share.

Cats on trees - Nina Goern and Yohan Hennequin (screenshot from YouTube channel)

No over-produced studio tricks for the duo of Nina Goern (piano and vocals) and Yohan Hennequin (percussion) whose hit "Sirens call" - "a pop ballad with a haunting and irresistible melody" and a former Friday's French music break - brought them national exposure last year and whose self-titled debut album "Cats on trees" was nominated in the category Album Révélation of the Year at the 2014 Victoires de la musique.

Instead simple piano, drums and vocal arrangement (with strings towards the end) turning it into...well a credible love song and taking it into quite another musical universe - gentler, more fragile and almost ethereal.

Compare and contrast - and see what you think.

First up the sugar-coated original from Gomez...not bad for what it is...followed by (saving the best until last) the version from Cats on Trees.






Cats on trees are currently on tour throughout France, including two dates at Le Trianon in Paris, November 6 and 7

Thursday, 12 June 2014

Paris mayor Anne Hidalgo's lack of brolly etiquette

You don't need to be "into" royalty, but there is such a thing as good manners, especially when playing host to a head of state (and it matters little, that it's a non-elected one).

Somehow though, for just the briefest of moments, François Hollande and the recently-elected mayor of Paris, Anne Hidalgo, seemed to forget theirs (manners that is) during Queen Elizabeth II's three-day state visit of France last week to mark the 70th anniversary of the D-Day landings.

Their collective faux pas (let's keep this French) happened at the end of the visit as Hollande and Hidalgo accompanied their guest to the flower market in the capital's IV arrondissement to a ceremony at which it would be renamed in her honour "Marche aux Fleurs - Reine Elizabeth II"

(screenshot i>Télé)


There was just the slightest of drizzles in the air as the trio made their way on foot to the flower market.

Hollande, well used to the rain (who can forget how the heavens opened to "rain on his parade" just after he had been inaugurated president back in May 2012) didn't blink twice as a few drops fell.

And the Queen, clearly a hardy soul and always prepared, simply opened (or had it opened for her) a modest but clearly regal personal transparent umbrella (so that "one" could best be seen by the adoring crowds presumably).

Hidalgo though was having none of it and instead was accompanied by a "factotum" carrying the largest black brolly covering...well, just her really (click on this link to see the photo).

Of course in the grand scheme of things, it wasn't that important and certainly far from being dramatic but for the French weekly news magazine Le Point, it "spoke volumes about the characters involved."

"It's hard to believe your eyes," went the rather tongue-in-cheek piece.

"Elizabeth II, 88-year-old sovereign for 62 years, holding her own umbrella while Anne Hidalgo, not yet 55 years old and mayor for just over two months has someone else holding hers....Shocking!"

(screenshot BFM TV report


Wednesday, 11 June 2014

Snails, sardines and "helpful" police advice for Paris drivers

So this flashed up on Sytadin, a site some of those who live and work in Île-de-France might use to find out information on the traffic flow in and around Paris.


And just look at the helpful recommendations  La Préfecture de Police is offering drivers to avoid the tailbacks expected on the road as taxi drivers all but block access to Paris from both the major airports with their opération escargot which will see them driving at a snail's pace.


Screenshot Sytadin


"La Préfecture de Police conseille aux automobilistes, notamment en matinée, de différer leurs déplacements vers la Capitale ou d’emprunter le métro pour les résidents les plus proches de Paris."

Or summarised, they're advising motorists to try to leave at a different time (earlier) or take public transport.

Yep - as the first reports on breakfast telly showed, Wednesday is going to be a fun day with the opportunity of becoming intimately acquainted with complete strangers as those needing to get into Paris, are sardined into heaving métro carriages.

Still, there's always the train...or would be, if trade unions weren't on strike too meaning that there'll be a limited rail service.

screenshot BFM TV

Have a great day!


Friday, 21 March 2014

Friday's French music break - Ibrahim Maalouf, "True sorry"



You don't need to be able to speak a word of French to be able to understand this week's Friday's French music break.

No, it's not another one of those groups with a somewhat ludicrous name singing in English.

In fact there are no lyrics at all - because "True sorry" is just a wonderful instrumental brought to you by Ibrahim Maalouf.


Ibrahim Maalouf (screenshot from Les Victoires de la musique)

It's a track taken from his most recent album, "Illusions" which earned Maalouf the "World music album of the year" award at the Victoires de la musique (the French equivalent of the Grammys) in February.

Born in Beirut into a family of musicians (his father Nassim is a trumpeter and his mother Nada, a pianist) Maalouf moved to Paris during the Lebanese civil war.

The 33-year-old is described  as "a pioneering figure in the world of contemporary jazz, blending the genre with pop, soul, electro, hip-hop, French songs and his own Lebanese roots" and he has the international awards to prove it.

He has worked with international artists such as Sting, Amadou et Mariam and Vanessa Paradis, composed music for the cinema, collaborated with symphony and chamber orchestras, created his own label to produce his albums and other projects and artists, and, and, and.

In fact you can read Maalouf on his official site, here.

Maalouf is currently taking his "Illusions" tour around France with concerts also scheduled in Sweden, Switzerland, Italy and Morocco.

http://www.ibrahimmaalouf.com/concerts/

Olympia in Paris already full  but extra dates have been added in the capital when he plays at La Cigalle in October.

He'll also be appearing at a number of jazz festivals,

For those of you who might adhere to Joey "The Lips" Fagan's description, in the 1991 film adaptation of Roddy Doyle's "The Commitments" that "jazz is musical masturbation (he actually used a more vulgar term in the film)" Maalouf might well make you think again.

While for jazz aficionados, Maalouf will most certainly be a welcome addition to your collection of he isn't already.

Anyway, enough words.

Pin back those lugholes and listen to what Maalouf does best.

"True sorry" is four minutes of pure magic.

And because you can never really get enough of a good thing, three different versions.

First up that performance from Les Victoires de la musique, followed by a (perhaps more refined) duo trumpet-guitar interpretation from a recent appearance on Anne-Sophie Lapix's "C à vous" on France 5  and finally the studio recording.







Sunday, 16 March 2014

Let's play odds and evens - the French government's answer to dealing with high pollution levels in Paris


There's nothing like dealing with a problem when it occurs.

Just ask the French environment minister Philippe Martin.

Philippe Martin (screenshot TF1 news)

Parts of France have been hit by high pollution levels over the past four or five days because of (to put it very simply) the mix of "cold nights and warm days, which have prevented pollution from dispersing".

And what has the environment minister done to deal with the situation?

Well he has waited and watched, announcing that he was "working on sustainable measures to fight against pollution," (yadda, yadda, yadda) and that there would be "an announcement by the summer of a plan to protect the atmosphere of the areas most affected.'

Par for the course really from the man who took over the ministry after his predecessor Delphine Batho was sacked in July 2013, and has faced bad weather conditions with remarkably enterprising resolve coupled with the usual political platitudes

When heavy rain, thunderstorms and hail battered towns in Brittany for weeks on end, Martin was quick to give his expert opinion that "the flooding could be related to climactic disturbances."

Really? Now there's a novel concept.

And during the flooding in Var at the beginning of February, he took to a helicopter to "understand the reasons behind what had happened". How very reassuring.

In fact helicopters and having a look seemed to feature largely in Martin's method of helping out flood victims.

Anyway, back to the high pollution levels. Finally the government has taken a decision.

It announced on Saturday that Paris and its suburbs would be subjected to "alternate driving days" as of Monday because of the continued "high pollution levels" that were expected.

Jean-Marc Ayrault's office even issued a statement saying, "The prime minister is aware of the difficulties that this may cause to the everyday lives of Parisians, but this extra step is necessary."

And get this, Ayrault "trusted in the spirit of responsibility and citizenship of each and every person."

Hello! We're talking Parisians here, deservedly or not, hardly world-renowned for their civility.

The statement wasn't enough though. Martin had a sales job to do and up he popped on TF1 prime time news to give the reasons for decision and brandishing, in  "show and tell" fashion, two licence plates - both old and new - to explain the difference between an odd number and an even one.


Philippe Martin in "show and tell" mode (screenshot TF1 news)

"Public health is what most concerns us here and in spite of the measures taken since the beginning of the week (measures introduced by the local authority in Paris such as free public transport) there's a risk of another rise in pollution levels at the beginning of the week," he said.

"We had to take this decision and we're relying, of course on the responsibility of Parisians which will allow us to cope with the situation," he added, proving he had a) been briefed and b) read the prime minister's official statement before going on air.


Friday, 21 February 2014

Friday's French music break - Johnny Hallyday, "20 ans"

Friday's French music break this week is from a singer you may well know - after all he has been around long enough.

Yes, it's that national monument or treasure (or perhaps both) depending on your tastes, Johnny Hallyday.

And the latest single from the ageing rocker "20 ans".

Johnny Hallyday (screenshot from "20 ans" official video)

It has just won "Original song of the year" at Les Victoires de la musique (the French equivalent of the Grammys) which took place at Le Zénith in Paris on February 14.

Mind you, it wasn't exactly the most popular winner of the night with whistles of disapproval from some sections of the audience as the ceremony's host, Virginie Guilhaume, opened the envelope to announce "The winner is..."

Now those rooting for the other contenders in the category in which Johnny (well he can't be referred to by his surname now, can he?) won, clearly didn't realise just how much the dinosaur of the French music scene "deserved" it.

The song - written by Christophe Miossec (lyrics) and David Ford (music) and taken from Johnny's critically acclaimed and commercially successful (that'll help keep him accustomed to his international star lifestyle of a man world famous in France) most recent album "L'Attente" (the best in a long time") had all the hallmarks of a winner about it.

Little matter that Johnny was up against two of last year's best-selling artists, Stromae with two songs "Papaoutai" and "Formidable", and Maître Gims' "J'me tire".

Forget all those statistics and the fact that both artists dominated the charts in 2013 and in fact continue to do so.

Take a look at the stats - for what they're worth.


YouTube views of the offical clips:

"Papaoutai" - 116 million +
"Formidable" - 64 million +
"J'me tire" - 51 million +
"20" ans - official audio and video combined - around one million


Chart history (taking into account sales, downloads and radio play)

"Papaoutai" - four weeks at number one and still in the charts a mere 39 weeks after its release.
"Formidable" - six weeks at number one - and still in the Top 200 charts  after 36 weeks.
"J'me tire"  - 48 weeks (and counting) in the charts - four of which were at the top.
"20 ans" -  five whole weeks in the official Top 200 peaking at 38.


Those figures seemed to count for little on the night.

What really mattered was that the song was sung by Johnny.

And even though the 70-year-old, with a career stretching back decades,  wasn't present at the ceremony, he clearly had (and has) legions of fans who made sure he wasn't forgotten.

You see, the category "Original song of the year" was open to voting from Joe Public, which meant presumably that Johnny's fans mobilised en masse to give him a win when everyone expected Stromae (who put in a stunning medley performance of his two hits and picked up three other gongs including "Male artist of the year) to sweep the board.

So a "deserved" win for the old codger and, dear reader, this week's choice for Friday's French music break.

Enjoy!

Tuesday, 11 February 2014

Caroline Bartoli, a more than reluctant politician running for mayor

With the first round of voting in local elections in France just over a month away, things are becoming interesting.

All right. Let's not exaggerate.

Most people probably aren't that captivated by the possible outcome.

Anyway, one thing that's certainly receiving its fair share of media coverage is the race to become mayor of Paris.

It's politics at its most professional - that doesn't necessarily mean at its best - likely to go to a second round slugfest between the Socialist party's Anne Hildalgo, the "heiress apparent to the current mayor Bertrand Delanoë,  and the centre-right Union pour un Mouvement Populaire (Union for a Popular Movement, UMP) candidate Nathalie Kosciusko-Morizet (NKM).

Those two make the headlines often enough - so let's not spend too much time singing their praises or analysing their chances.

Just to say that opinion polls put Hildalgo in the lead at the moment

But that might begin changing now that NKM - who according to genealogists is a descendant of Lucrezia Borgia (and no, that has nothing at all to do with this piece, just an interesting titbit to throw into the conversation at dinner parties perhaps) has the official backing of one of the country's political heavyweights.


Yep, the former president (and president-in-waiting?) Nicolas Sarkozy showed up at NKM's most recent rally in Paris on Monday evening to liven up an event as only he can.

"I'm here because Nathalie is a friend," he told reporters.

"She was a courageous and intelligent spokesperson during my (presidential) campaign and the least I can do is to show my gratitude for that."


Nicolas Sarkozy présent au meeting de NKM "par... par BFMTV

From the pomp and professionalism of politicians with greater aspirations, how about looking at the other end of the spectrum.

Someone who's standing albeit reluctantly.

How about someone few French had ever heard of...until her appearance on France 3 last week.

Caroline Bartoli is the candidate of the wonderfully-named Divers gauche (DVG), or Miscellaneous left in the race to become mayor of Propriano, a town in the south of Corsica.

Caroline Bartoli (screenshot France 3 Corse)

And Bartoli only seems to have one campaign policy - to keep the seat warm for her husband, Paul-Marie Bartoli.

You see, he (Paul-Marie) is the current mayor, but for legal reasons, is ineligible to stand - some problem with previous campaign funds apparently.

That "disentitlement" (grabbing around for a synonym here) will be lifted in May - sadly, for Bartoli (Paul-Marie), two months after the elections.

What to do?

That's where Caroline steps in to show her mettle, putting in a Q&A performance on France 3 Corse last Thursday of which any aspiring politician would be...er...proud.

When her candidature was announced in January, Bartoli (Caroline) declared she had "no desire to start a political career" and true to her "promise" the interview on France 3 showed exactly that.

Bartoli was convincing in her lack of political nous, resorting to reading answers that bore little relation to the questions asked.

Take a listen to the interview. It's only five minutes long. You might learn something in the art of how not to answer any of the questions posed by a journalist.

Bartoli's response at around two minutes 30 when asked about how she would deal with building permits and the problem of too many holiday homes pretty much sums it up.

She consults her notes...can't find the right answer...and so replies, "I'll continue my husband's policy" seemingly unclear as to what it was or is.


MUNICIPALES - En Corse, Propriano c'est une... par France3CorseViaStella

Friday, 7 February 2014

Friday's French music break - Voca people


What, no particular song for this week's Friday's French music break?

Just a "group"?

Well yes. And the "group" isn't even French at that.

It's Voca people,  "an Israel-based ensemble performing vocal theatre combining a cappella and beat box vocals to reproduce the sounds of an entire orchestra" (thank you Wikipedia).



The eight-piece troupe is coming to the end of a run at the Bobino theatre in Paris, where it has been playing to packed houses for the past four months, and is about to take the show on the road around France.

So that's your French connection - as tenuous as it might be.

Plenty has been written about the somewhat thin "plot" of the 90-minute show elsewhere.

It centres on eight "aliens" whose spaceship has crash-landed on Earth and who need the "power of musica" to be able to take off again.

That force comes from touching humans (the audience) and sets them off on several musical trips from pop to classical, some old standards to film sound tracks, and because this is France, a medley of French hits.

One thing's for sure, Voca people put on a quirky show with some remarkable vocal gymnastics making it hard to believe that no instruments are involved and you're just listening to voices.

The whole performance is sheer nonsense from beginning to end, but that doesn't make it any less enjoyable, and even the most curmudgeonly will leave with a smile on their faces or, at least, a tune in their heads.

Just one tip. 

If you're thinking of going along to see them and you're not into touchy-feely stuff, steer clear of the orchestra seats or those nearest the stage.

Because part of the show - perhaps a little too big a part for some - involves audience participation as the chosen few are dragged up on to the stage as props in the "love scenes".

You've been warned!

Wednesday, 22 January 2014

"Lurn" French with the Front National

Hands up those of you out there who are literally word perfect when it comes to writing.

You never, ever make a mistake of any kind. Your grammar, spelling and the "Eats, shoots and leaves" of punctuation" are all irreproachable.

For those mere mortals among us, all too often errors creep in.

Usually it don't matter none, because others will perhaps not even spot the mistake or, if they do, will be indulgent.

Thankfully for some of us working in fields where it's important to get it right (for fear of giving the wrong impression), there is often a safety net available in the form of a sub-editor or a ruddy good proof reader.

It's a shame - or maybe on second thoughts, perhaps not - that the same cannot be said for the far-right Front National's (FN) candidate in this year's race to be mayor of Paris.

Someone in Wallerand de Saint-Just's team - for that's his name - clearly didn't run the copy for his campaign pledges through spellcheck before sending it off to the printers.

Yes - as an aside - Saint-Just is a man.


Wallerand de Saint-Just (screenshot from YouTube video)


And there you all thought that the race to become the next mayor of Paris was an all-female affair because that's what the (foreign) media has been reporting.

Well it ain't.

Sure both the leading candidates are women.....Anne Hidalgo for the Socialist party and Nathalie Kosciusko-Morizet (NKM) for the centre-right Union pour un mouvement populaire (Union for a popular movement, UMP).

And the second round slogfest will undoubtedly be between them.

But the first round is not an all-female affair because both the FN with Saint-Just and the Greens with Christophe Najdovski, are putting up male candidates.

Anyway, back to the matter at hand, as trivial as it might be in a political world in which image is so important.

You see Saint-Just wants to protect and promote French - the language that is - as part of his campaign.

It's apparently not just a desire to keep at bay all those nasty and devilish foreign (English) words wot keep spoiling la langue de Molière.

No, it's also a wish to promote French, especially in the Paris which "as the country's capital has (paraphrasing) an obligation to show the way."

In other words, Saint-Just wants to "defend" that French language.

Except that's not quite how it came across in the official programme handed out to journalists during a recent press conference.

Because, as you can see from the accompanying screenshot, Saint-Just also appears to be into neoligisms, albeit it cocked-up ones, in wanting to, "défenFre la langue française".

"défenFre" (screenshot from Europe 1 report)

Yes, it's clearly a typo and one which is "understandable given that on a French keyboard the "d" and the "f" are next to each other.

But still it raises a chuckle and is a reminder that in Paris at least, where it doesn't stand any chance of winning, the FN can afford to appear suitably amateurish.

Wednesday, 8 January 2014

PR blunders and political infighting threaten Nathalie Kosciusko-Morizet's Paris mayor bid

Nathalie Kosciusko-Morizet's (NKM) campaign to become the next mayor of Paris (that's the whole of the city as opposed to the 20 individual arrondissements that also have their own elected mayors and administrations  - it's what you call efficient use of public funds) has taken some unusual twists and turns in recent months.

There has been a combination of what surely must be PR blunders and the political infighting that has, in recent years, become a trademark of the centre-right Union pour un Mouvement Populaire, (Union for a Popular Movement, UMP) to which NKM belongs.

First up those PR - er - gaffes. Or at least peculiar choices.

There she was in late November (just a month after her "carrot rage" outburst - see here to find out what THAT was all about), arguably one of the brightest politicians of her generation, fooling absolutely nobody as she waxed lyrical about the merits of the Paris métro!

"For me, the métro is place of charm, both anonymous and familiar," she said in an interview with Elle magazine.

"I often take lines 8 and 13 and I sometimes have the most amazing encounters. I'm not trying to idealise the subway. It is sometimes painful, but there are moments of grace."

Say what?

Charm?

Grace?

Try telling that to those who use it on a regular basis.

Clearly NKM seldom takes the ruddy thing during rush hour - as many were more than willing to point out.

Oh well. Each to their own.

Just before Christmas, NKM decided to let her hair down (metaphorically speaking as she has already done it literally) by sharing a ciggie with what appeared to be a group of homeless men.

It didn't really matter that they were reportedly workers from Poland with whom she also exchanged a few words in Polish.

Unluckily for NKM, she was caught on camera, the photo was published in VSD and Twitter had a field day poking fun at her and the "apparent attempt to rub shoulders with the homeless".

NKM has a quick ciggie (source Twitter)



Voters, opponents and the media await with impatience NKM's potential PR slip ups between now and the local elections in March.

But, when all is said and done, issues of perceived image pale in comparison with the dangers of the political challenge she faces from those...within her own party - where else?

This is the UMP after all, and true to form it's proving to be as unified as ever...and that means virtual disarray reminiscent of the 2012 leadership fiasco between François Fillon and Jean-François Copé.

At the heart of NKM's problems is her attempt to stamp her authority on sections of the party in Paris that quite simply refuse to accept her way of doing things or that she's the boss.

The particular case of the candidate for mayor of the fifth arrondissement has taken on proportions which prove that at a local level the UMP is as capable of disunity as it is nationally.

More importantly though, it also poses a real threat to NKM being elected.

The current mayor of the fifth arrondissement is Jean Tiberi - a man with the most colourful of political pasts even by French standards - and one of NKM's fiercest critics.

It's Tiberi's second spell in the post.

Jean Tiberi (screenshot Europe 1)

He held it from 1983 until 1995 when he ran for the job NKM is currently campaigning for.

Yes, that's right. He was mayor of Paris - the whole shebang - for six years.

In 1995, he succeeded Jacques Chirac, and he held the post until 2001 when he lost to
Bertrand Delanoë, mainly because he couldn't work out his differences with the late Philippe Séguin thereby splitting the centre-right vote...sound familiar?

So it was back to the fifth arrondissement where he has been ever since, running his own personal fiefdom.

Along the way of course, he and his wife, Xavière, have ridden out several scandals together, including one for corruption allegations as well as accusations of vote rigging.

Heck, he has even been fined, had a suspended 10 month sentence handed down and been prevented from running from political office again.

But that hasn't stopped him from appealing and holding down several jobs at the same time including that as  a member of the national assembly for over 40 years until he stood down in the 2012 elections.

He had been hoping the Tiberi dynasty in the fifth arrondissement would be continued by his son, Dominique.

But NKM stepped in, parachuting Florence Berthout, an old friend of her choosing as the official candidate, and leaving Tiberi - father and son - gobsmacked.

"She's just doing anything she likes," said Tiberi senior.

"My candidature is a legitimate one," said Tiberi junior.

Enter stage left...er, no...better make that right - French businessman Charles Beigbeder, the so-called "blue eyed boy" of the Parisian right and brother of the writer, director and literary critic Frédéric - although that has absolutely nothing to do with his political ambitions.

 Charles Beigbeder (screenshot BFM TV)

Beigbeder wanted to be the candidate on the list for an arrondissement of his choosing and one in which he would most likely be elected.

But NKM had other ideas, plumping for someone else instead and insisting Beigbeder stand in an arrondissement of HER choosing.

Yes this all gets a bit of a numbers game and even a reasonable grasp of the ins and outs of (local) Paris politics makes the internal manœuverings hard to understand.

The long and the short of it is though that Beigbeder has promised to launch his own alternative UMP dissident list of candidates, insisting that "It's not an anti-NKM campaign but one destined to beat the Socialist party's Anne Hildalgo."

No that doesn't really make sense, but it's what Beigbeder maintains potentially splitting the centre-right vote will do.

Ah politics and elections. That's really what it's all about isn't it?

Pass the gin!
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