Friday’s French music break - Måns Zelmerlöw, “Should've gone home (Je ne suis qu’un homme) "

If you’ve been following Friday’s French music break for a while now, you might have noticed the trend for some featured artists to sing only in English…or a sometimes approximate version thereof.

Conversely, there are also several non-native French speakers who choose to re-record tracks they've originally sung in another language specifically for release in francophone countries.

Josef Salvat did it with “Open season” for example.

And so did Mika - although, with “Elle m’a dit”,  he went the whole hog and released a song he had never previously recorded in English.

Joining the club is Swedish pop singer and TV presenter Måns Zelmerlöw with his plaintive (good word that) but catchy “Should've gone home (Je ne suis qu’un homme) “

Måns Zelmerlöw - screenshot from video of “Should've Gone Home (Je ne suis qu’un homme"

Actually on first hearing the song, you might well think it’s Salvat again as it has the same sort of feel to it.

Now, Eurovision fans among you (and there are a fair number scattered around the globe) will probably recognise the name, because Zelmerlöw won the whole shebang for his country back in 2015 and was one of the co-hosts at this year’s show.

Originally released in August 2015 and taken from his sixth studio album “Perfectly damaged”, the French version of “Should've gone home (Je ne suis qu’un homme)” keeps the original melancholic (OK so let’s not exaggerate too much) chorus cry.

But most the verses have been translated - courtesy apparently of singer-songwriter Doriand (Laurent Lescarret) who has done the same for the likes of Mika, Julien Doré and Camélia Jordan.

Anyway, “Should've gone home (Je ne suis qu’un homme) “ isn’t that bad, and neither is Zelmerlöw’s French as the audience at a one-off performance at la Maroquinerie in Paris in October 2015 was able to hear he performed  Gilbert Bècaud’s French standard “Et maintenant”.

Et maintenant

So take a listen.

And just in case there are any Swedish readers out there - Ha en bra helg

Friday's French music break - Julien Doré, "Chou Wasabi"

Friday's French music break puts paid to the myth that contestants, let alone winners, of TV  talent shows have a limited appeal after their 15-minutes of small screen fame, lack originality and are simply a product of prime time television.

That might well be the case of the vast majority of wannabe warblers, but there are exceptions to the rule.

When Julien Doré won the fifth edition of the once-defunct but since-revived "Nouvelle Star" (the French version of Pop Idol) in 2007 he had spent a season interpreting other people's songs and doing so with a refreshing touch of creativity.

Julien Doré (screenshot TV5 Monde "Acoustic" - September 2014)

Few, who followed his progress through the competition, will forget his rocked-up rendition of Alizée's "Moi...Lolita", the debut single in 2000 from the then Mylène Farmer managed 15-year-old. .

Doré went further later in the competition with another unlikely rocked-up (but this time acoustic) version of a pop giant when he transformed Britney Spear's quintessential international Disney break-out teen hit "Baby One More Time" into...well, something else.

OK OK so most definitely not his genre, but it got Doré noticed and it was clear that he had a talent, was prepared to take risks  and didn't appear to take the whole talent show experience too seriously.

Plus he had stage presence, charm, charisma and his very distinctive style and musicality.

And that has served him well ever since, with each of his three albums - "Ersatz" in 2008, "Bichon" in 2011 and most recently the critically acclaimed "Love" (guess the theme) in 2013 - reflecting his musical eclecticism

Just as important, in interviews, Doré doesn't appear to come across as having been bitten by the star bug, his concerts (see a list here for upcoming dates) are a treat for fans as the "master of the ukele" (the instrument with which he auditioned for "Nouvelle Star") draws in a crowd of all ages.

If the excellent "Paris-Seychelles" - the first track to be lifted from "Love" as a single - whetted your appetite, then ""Chou Wasabi" si probably its natural successor - lyrically and melodically - as well as the video which features the same "young Doré double".

Australian-born Micky Green joins Doré for the duet which "evokes a relationship reaching its end"

And its quite simply hauntingly beautiful.

Enjoy.

Star Academy's Manika Auxire - the voice that could sink a thousand ships

A couple of familiar formats have returned to French TV screens recently and both of them are searching, or supposedly acting as launching pads, for musical "talent".

Star Academy, the show that "discovered" Jenifer, Nolwenn Leroy and Magalie Vaé (who?) during its nine seasons on TF1, and the Pop Idol-inspired Nouvelle Star which over eight years on M6 gave France the likes of Christophe Willem, Julien Doré, Amel Bent and Jonatan Cerrada (another "who"?) are back after an unregrettable absence.

Manika Auxire (screenshot profile on Star Academy)

You might have a little difficulty finding either of them as there was a reason why TF1 and M6 cancelled the shows.

But that hasn't stopped two of the country's digital terrestrial television (TNT) channels, repackaging clapped-out concepts in an effort to attract viewers.

While Nouvelle Star is still in the audition phase on the newly-relaunched D8, owned by the Canal + Group, Star Academy is well underway on NRJ 12.

There have already been two live prime time shows: the first to introduce the contestants to the viewing public, and the second to begin the process of weekly elimination.

And on the evidence so far, the least that can be said is there's far from being a bottomless pit of musical talent in France.

Well, that can surely be the only conclusion to be drawn by the inclusion among the 14 Star Academy competitors of a certain Manika Auxire.

The 22-year-old put in a show-stopping performance of the Carly-Rae Jepsen smash hit "Call me maybe" (Jepsen was herself the product of a TV talent show in Canada) during the opening programme.

Obviously not content with brutalising Jepsen's song, the former Miss Poitou-Charentes (aha...the real reason for her inclusion - to add "une touche de glamour" to the proceedings?) found herself among the three nominees threatened with elimination the following week and promptly massacred another tune...Zaz's 2010 hit, "Je veux".

Now for those of you with strong constitutions, you can hear just how talentless Auxire really is - well at least when it comes to singing.

Here's her version of "Call me maybe" followed by Jepsen's just for comparison.





And if you're a real glutton for punishment, speed through the whole of the second programme to discover her - thankfully - last TV warbling performance (for now) at one hour 21 minutes and 47 seconds - almost two minutes of aural torture.

Or you could always listen to Zaz.



A word of warning. Dowloading the full replay programme will take a while, so you've more than enough time to peel the spuds, wash the kitchen floor or wrap some Christmas presents.

But if you have both the patience and the masochistic tendency to hear how awful she is, you might want to dull the pain with a very stiff something-or-other beforehand.

The woman can't sing - in tune at least - and perhaps it's not surprising the French have the expression "chante comme une casserole", although that's being a little unkind to saucepans.