Friday's French music break - Cœur de pirate, "Mistral gagnant"

This week's Friday's French music break is a remake of what might be called a (modern) French classic.

It's "Mistral gagnant" from Canadian singer Béatrice Martin - better known by her stage name Cœur de pirate.

Cœur de pirate (screenshot from "Mistral gagnant" video)

"Mistral gagnant" was first released by singer-songwriter Renaud (Renaud Séchan) back in 1985 and, over the years, has been covered (more or less successfully depending on your tastes) by a number of artists.

The song doesn't require a great voice (nobody could realistically maintain that Renaud himself is blessed with the widest vocal range) but has an intrinsic sensivity and melancholy which demands an interpretation that doesn't become overemotional and...well, cheesy.

Carla Bruni and Jean-Louis Aubert have tried it as a duet (enough said) as have Vanessa Paradis and Maxime Le Forestier (click on the names for their interpretations).

Belgian "songstress" Lara Fabian (the link should contain a health warning) has had a bash, successfully saccharine-ing it to the max.

And Amel Bent has given a tear-jerking performance or two of the song, proving that a great and distinctive voice can also to the song justice.

But the definitive version is arguably from the man who wrote and first recorded it - Renaud.

Until now perhaps.

Because Cœur de pirate's version is pretty true to the original. She almost has the same type of "broken" voice as Renaud and uses the simplest and most touching of musical arrangements which means that you actually appreciate the lyrics and the melody for what they are.

Tender.

The track is one of the first to be released from the upcoming tribute album "La bande à Renaud" on which a number of artists, including Carla Bruni (can't keep her away obviously), Nolwenn Leroy, Elodie Frégé, Bénabar and Renaud's son-in-law Renan Luce reinterpret some of the 62-year-old's best known songs.

So, even if Renaud hasn't released any new material for several years and has pretty much been absent from public performances with recurring alcohol problems and a seeming predilection to self destruct, the track (and indeed, the whole album) will hopefully serve as a reminder of his immense talent.

Here's Cœur de pirate's version, followed by Renaud's.

Enjoy.

Friday's French music break - Garou, "Le jour se lève"

Friday's French music break this week this week is a song recently crowned "record of the year" 2012

It's ""Le jour se lève" taken from the album "Rhythm and Blues" in which the Canadian crooner Garou (real name, Pierre Garand) makes his growling mark on a number of standards in both English and French, as he covers remakes that he would have been best advised to leave well alone.

Now, how exactly Garou managed to walk off with the title "record of the year" with "Le jour se lève" remains something of a mystery.

Garou (screenshot from video clip for "Le jour se lève")

Perhaps it was the phenomenal commercial success of the track.

After all, even in these days in which singles aren't really a measure of popularity, "Le jour se lève" only managed to peak at 115 in the French charts.

There again, maybe it was all down to the success of the single in neighbouring Belgium - where it reached number 22.

Of course Garou's win could have been because of the low standard of the other artists in the running for the title: among them international no-hopers Rihanna ("Diamonds") and Birdy ("Skinny love") or a clutch of Francophone singers, including Matt Pokora, Jenifer, Shy’m, Tal, Marc Lavoine and Amel Bent - all of whom had achieved greater singles chart success in France during 2012.

But wait. Who was making the award?

Oh. It was France's largest private channel TF1, filliing up the schedules with a pre-recorded programme during the holiday period.

Isn't Garou also one of the judges in the second series of "The Voice" due to be broadcast on the very same TF1 in early February?

Well, what do you know. Yes he is. But of course that cannot possibly have played a part in a vote determined by the public from the list of nominees before the competition got underway.

Ergo all definitely very correct and aboveboard and 40-year-old Garou, who first shot to prominence in France for his performance as Quasimodo in the hit musical Notre Dame de Paris in 1998, walked away with yet another award to add to his collection.

What? You've never heard of the musical? Well maybe that's not surprising.

It ran and ran in France, made stars of several of its performers and transferred equally well to Canada. But when it opened in London, the welcome was less than enthusiastic with Independent going all Sun-like in its headlines and describing it as ""A load of old bells".

http://www.londontheatre.co.uk/londontheatre/reviews/notredame00.htm

Anyway, back to "Le jour se lève", a truly wondrous remake of a song originally recorded by Israeli singer Esther Galil in 1971 - when it really was an international hit (sales of more than five million in Europe).

If you didn't like it first time around...the chances are that Garou's snarling interpretation won't do much for you either.

Have a great weekend.

Star Academy's Manika Auxire - the voice that could sink a thousand ships

A couple of familiar formats have returned to French TV screens recently and both of them are searching, or supposedly acting as launching pads, for musical "talent".

Star Academy, the show that "discovered" Jenifer, Nolwenn Leroy and Magalie Vaé (who?) during its nine seasons on TF1, and the Pop Idol-inspired Nouvelle Star which over eight years on M6 gave France the likes of Christophe Willem, Julien Doré, Amel Bent and Jonatan Cerrada (another "who"?) are back after an unregrettable absence.

Manika Auxire (screenshot profile on Star Academy)

You might have a little difficulty finding either of them as there was a reason why TF1 and M6 cancelled the shows.

But that hasn't stopped two of the country's digital terrestrial television (TNT) channels, repackaging clapped-out concepts in an effort to attract viewers.

While Nouvelle Star is still in the audition phase on the newly-relaunched D8, owned by the Canal + Group, Star Academy is well underway on NRJ 12.

There have already been two live prime time shows: the first to introduce the contestants to the viewing public, and the second to begin the process of weekly elimination.

And on the evidence so far, the least that can be said is there's far from being a bottomless pit of musical talent in France.

Well, that can surely be the only conclusion to be drawn by the inclusion among the 14 Star Academy competitors of a certain Manika Auxire.

The 22-year-old put in a show-stopping performance of the Carly-Rae Jepsen smash hit "Call me maybe" (Jepsen was herself the product of a TV talent show in Canada) during the opening programme.

Obviously not content with brutalising Jepsen's song, the former Miss Poitou-Charentes (aha...the real reason for her inclusion - to add "une touche de glamour" to the proceedings?) found herself among the three nominees threatened with elimination the following week and promptly massacred another tune...Zaz's 2010 hit, "Je veux".

Now for those of you with strong constitutions, you can hear just how talentless Auxire really is - well at least when it comes to singing.

Here's her version of "Call me maybe" followed by Jepsen's just for comparison.





And if you're a real glutton for punishment, speed through the whole of the second programme to discover her - thankfully - last TV warbling performance (for now) at one hour 21 minutes and 47 seconds - almost two minutes of aural torture.

Or you could always listen to Zaz.



A word of warning. Dowloading the full replay programme will take a while, so you've more than enough time to peel the spuds, wash the kitchen floor or wrap some Christmas presents.

But if you have both the patience and the masochistic tendency to hear how awful she is, you might want to dull the pain with a very stiff something-or-other beforehand.

The woman can't sing - in tune at least - and perhaps it's not surprising the French have the expression "chante comme une casserole", although that's being a little unkind to saucepans.

Friday's French music break - Dalida, "Depuis Qu'Elle Est Partie"

Friday's French music break this week a whole album. Oh let's be really greedy then and make it a double!

It's "Depuis qu’elle est partie" which is a tribute to one of France's most famous singers - the late Yolanda Gigliotti.

You and many others might know her better under the name with which she achieved fame, not just in France but worldwide: Dalida, the Egyptian-born singer-actress whose extraordinary career included phenomenal success combined with a tragic personal life.

It's well chronicled elsewhere on the Net (try her biography on Radio France Internationale for starters) so there's no need to go into great detail here.

But the impact Dalida had over a 30-year period and the way she lived, loved and ended her life, led to the "iconic image of her as a tragic diva" which persists to this day.

If you've lived in France, for no matter how short a time, the chances are you'll have heard and perhaps recognise one her many, many hits.

And some of them have been collected on this double album produced by her brother Orlando and released on May 3 to mark the 25th anniversary of her death.

Disc one is pure Dalida - 20 tracks which include some of her best known songs such as "Bambino", "Il venait d'avoir 18 ans", "Laissez-moi danser" and of course (with Alain Delon) "Paroles paroles".

And then there's that second disc - proof, if it were really needed, of her legacy.

It also contains 21 tracks - sometimes of the same songs - performed by a whole host of (mostly French) artists such as Christophe Willem, Hélène Ségara, Patrick Fiori, Dany Brillant and Christophe.

Some of them aren't half bad, such as the interpretation the fabulous Amel Bent gives of "A ma manière" others are...well a bit iffy to say the least.

But the real class of course is from the diva herself - hard to improve on even though many have tried over the years in cover versions.

So here, for fans and the plain curious alike, a video clip available on YouTube of Dalida performing the completely over-the-top but nonetheless tremendous (well it's all a matter of personal taste, isn't it?) 1974 hit "Gigi l'amoroso".

Listen to those rrrrrrrrrrrolling "rs"

Chimène Badi proves there's life after Popstars

French singer Chimène Badi is currently in the middle of a national tour.

And this week sees her returning to her roots so-to-speak with two dates lined up in the southwest of France - Toulouse and Bordeaux - not far from the town of Villeneuve-sur-Lot where the 28-year-old spent much of her childhood.

Chimène Badi (screenshot from Tellement Beau video)

Badi first rose to fame in the second edition of the French version of Popstars back in 2003.

The jury was looking to "create" a new band in what was then a popular format for "discovering" talent in many European countries.

Badi's "Rolls Royce of a voice" made an immediate impression with all three of the show's judges and although she made it through to the later stages of the competition there was, in the words of the chairman Valéry Zeitoun,"An enormous difference between the potential of her voice and her ability to dance (a requirement to be part of the band)."

Thankfully perhaps, because the quartet that went on to make up WhatFor (or perhaps more appropriately they should have been called Whatever for) managed just two minor hit singles and one album before disbanding and disappearing whence they came.


WhatFor - the group Badi was too good for


Not so Badi.

If Badi didn't correspond to what the jury was looking for to be part of the eventual group, she certainly caught the attention of Zeitoun, who just happened to be a producer and director at Universal Music.

"If you really want to sing, I'll help you," he told the then 20-year-old, and that's precisely what he did and later and later the same year Badi released her first album"Entre nous" and a single of the same name.

Since then Badi has become a regular on the French music scene able to tackle modern French standards and gain fans with her own brand of soulful singing.

Now, seven years later and with four studio albums and a clutch of hit singles under her belt, she's back on tour pulling them in and proving that she has one heck of a voice.



Even though she perhaps doesn't exactly set the audience alight with the same sort of onstage charisma as one of her contemporaries Amel Bent (who incidentally is also a product of reality TV - Nouvelle Star, and a singer who has also built her success on not winning the title) her voice is something to relish and there's a fragility in her onstage persona which belies the power of that voice.

A voice whose timbre is exquisite and one that allows her to caress a melody and boom a refrain with what appears to be consummate ease.

Badi's story is proof, if needed, that appearing in a reality show is no guarantee of success if the talent is lacking and, just importantly, losing isn't always a bad thing.

Her current tour continues until June 2011.

And her latest album, "Laisse-les dire" was released in May this year.