Friday's French music break - Louane, "Jour 1"

If ever you've had the misfortune of catching the French version of (what must surely be an oxymoron) "The Voice, la plus belle voix" you might remember the young women (or girl) who sings this week's Friday's French music break.

Louane (real name Anne Peichert) appeared in the second series, making it all the way through to the semi-finals and apparently leaving her mark as a singer of "talent and sensitivity".

In other words she didn't really have that much of a voice, but was able to put in a performance which charmed the public (but not enough) and the coaches alike.

Louane (screenshot from official video "Jour 1")

All right, that's being a little unfair perhaps.

Louane is just 17 years old and her participation in "The Voice" secured her a recording contract with Universal Music/Mercury and the release of her first single "Jour 1".

It's a pretty (love) song (what else?) with a catchy enough melody, and Louane has voice that's delicate in the tradition of, say, Cœur de pirate or Joyce Jonathan.

It doesn't exactly knock your socks off, but it's not unpleasant to listen to either.

"The Voice" wasn't Louane's first stab at trying to make it in showbiz.

Back in 2009, she appeared in the now defunct talent show for children aged 8-12 on D8 "L'École des stars" making it through to the final, won by (the then) nine-year-old Léo Rispal.

What's the betting he makes an appearance at the auditions of a future "The Voice"?

Anyway, here's Louane with "Jour 1" - plenty of airplay but not many sales.

Friday's French music break - Cœur de pirate, "Mistral gagnant"

This week's Friday's French music break is a remake of what might be called a (modern) French classic.

It's "Mistral gagnant" from Canadian singer Béatrice Martin - better known by her stage name Cœur de pirate.

Cœur de pirate (screenshot from "Mistral gagnant" video)

"Mistral gagnant" was first released by singer-songwriter Renaud (Renaud Séchan) back in 1985 and, over the years, has been covered (more or less successfully depending on your tastes) by a number of artists.

The song doesn't require a great voice (nobody could realistically maintain that Renaud himself is blessed with the widest vocal range) but has an intrinsic sensivity and melancholy which demands an interpretation that doesn't become overemotional and...well, cheesy.

Carla Bruni and Jean-Louis Aubert have tried it as a duet (enough said) as have Vanessa Paradis and Maxime Le Forestier (click on the names for their interpretations).

Belgian "songstress" Lara Fabian (the link should contain a health warning) has had a bash, successfully saccharine-ing it to the max.

And Amel Bent has given a tear-jerking performance or two of the song, proving that a great and distinctive voice can also to the song justice.

But the definitive version is arguably from the man who wrote and first recorded it - Renaud.

Until now perhaps.

Because Cœur de pirate's version is pretty true to the original. She almost has the same type of "broken" voice as Renaud and uses the simplest and most touching of musical arrangements which means that you actually appreciate the lyrics and the melody for what they are.

Tender.

The track is one of the first to be released from the upcoming tribute album "La bande à Renaud" on which a number of artists, including Carla Bruni (can't keep her away obviously), Nolwenn Leroy, Elodie Frégé, Bénabar and Renaud's son-in-law Renan Luce reinterpret some of the 62-year-old's best known songs.

So, even if Renaud hasn't released any new material for several years and has pretty much been absent from public performances with recurring alcohol problems and a seeming predilection to self destruct, the track (and indeed, the whole album) will hopefully serve as a reminder of his immense talent.

Here's Cœur de pirate's version, followed by Renaud's.

Enjoy.

Friday's French music break - Margaux Avril, "Murder on the dance floor"

Friday's French music break this week is from the appropriately named (given the month) 22-year-old Parisian singer Margaux Avril (French for "April" of course) - "Murder on the dance floor".

Margaux Avril (screenshot from "L'air du rien")

Yes it's a song with which you're probably familiar - originally released in 2001 by the British singer Sophie Ellis-Bextor who co-wrote it, and for whom it was a major international hit with an unforgettable and wonderfully naughty and hammed-up video to accompany it.

Need a reminder?

Here it is.

Avril's acoustic version of a song Ellis-Bextor recorded when she was also 22 years old doesn't have the same dance feel to it of course, but the groove remains.

And Avril's voice has that grain of roughness and quality of sound that's maybe missing from her first single currently delighting radio listeners across the country, "L'air de rien".

That's a charming pop number successfully designed to stick in your head (regardless) and which might make you think initially you're listening to a more sugary version of the Canadian singer Cœur de pirate (Béatrice Martin) - but without all those tattoos of course.

Margaux Avril (screenshot from "L'air du rien")

All right, Avril might not be "The Voice" - that's being left to TV viewers to decide in the second series currently airing on TF1.

But she can most definitely sing (and sing well) and has been signed to the French record label AZ - an affiliate of Universal - which should guarantee that she'll at least be able to carve out a reasonable career for herself - if not something more than that.

Some of the acoustic cover versions available on her official site prove she add her own personal touch to songs that have very different musical backgrounds and, more importantly perhaps, that she has a sound other than one "produced" in the studio.

Take a listen to her rendition of French singer Étienne Daho's 1984 hit "Week-end à Rome" for example. Avril definitely breathes new life into a gaspingly awful electro-pop pap.

Or better still there's her version of the excellent US rock group Kings of Leon's "Sex is on fire"

If you want to find out more about Avril's next single "Lunatique" or when and where she's playing, scoot over to her Facebook page.

And while we await the release of her first album, here she is with that promised acoustic version of "Murder on the dance floor" - this week's Friday's French music break.

Enjoy.

Yael Naïm wins Best Female Artist at France's Victoires de la musique awards

Tuesday evening saw part two of Les Victoires de la musique awards, the French equivalent of the Grammys, broadcast live from Paris on France 2.

"Part two" because, in their infinite wisdom, organisers decided viewers probably weren't up for several hours of tra-la-la-ing and thank you speeches to all and sundry and split the ceremony in two.

Yael Naïm (screenshot from YouTube video)

February 9 was dedicated solely to newcomers and "revelations" with the public getting to vote in each category and the whole shebang being broadcast live from the northern city of Lille on France 2's (much) smaller sister station France 4.

Meanwhile Tuesday saw awards handed out to the "more established" artists with industry professionals getting to determine who got what.

Of course the voting procedure is more complex than that; but by and large the heavyweight awards were decided by those "in the know" who had already whittled the nominees in each category down to four and, apart from the Song of the Year which was left to a public vote, determined who got the gongs.

Perhaps the most interesting category of the evening was that of Best Female Artist because it had, in a real sense, a truly international flavour to it.

Added to that, there were some stunning performances although only three of the nominees were present.

Canadian Cœur de pirate (otherwise known as Béatrice Martin when she's not performing) who won the award in 2010 for Best Song gave a simple voice and piano rendition of "Francis" from her self-titled 2009 album.

Nigerian-French singer-songwriter Aṣa (pronounced Asha), trademark big specs and velvet timbre of a voice, treated the audience and viewers to a groovy "Be my man" taken from her 2010 album "Beautiful imperfection".



And French-Israeli singer-songwriter Yael Naïm added a touch of soul and jazz as well as a heap of gospel to her pop-folk rock "Come home" from her "She was a boy" album.

Phew!

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Only Vanessa Paradis - French model-actress-singer and partner of Johnny Depp (or should that be the other way round?) was missing.

Perhaps she had guessed she wouldn't be picking up an award this time around but she already has a heap of them to her name.

And the winner is...Yael Naïm.

In the night's other categories awards were picked up by Gaëtan Roussel for both Best Male Artist and Best Album, M (full name Matthieu Chedid) and veteran Eddy Mitchell jointly for best concert/show/tour and Philippe Katerine (love him or hate him) for his splendidly as-usual off-the-wall "La banane" as Best Video.



The last award for Best Song - and the only one on the night left to the public vote - went to "Je veux" by Zaz.

As Paris Match said, "A lively evening and a long way from the seemingly interminable hours of poorly paced entertainment" viewers were subjected to last year.