Friday’s French music break - Alma, “Requiem"

And so the decision has been made. Alma will represent France at this year’s Eurovision Song Contest to be held in Kiev in May with the song “Requiem”.

None of the beating about the bush, endless domestic competitions or public voting to determine who would fly the tricolor. No, that’s not France’s style.

Instead it was a simple announcement by the public service broadcaster France 2, that Alma (Alexandra Maquet) would represent the country.

Alma (screenshot “Requiem” official video)

Flushed with the “success” of last year’s sixth-placed finish (yes only the French could deem sixth as a “success”) all hopes are that Alma will be able to go one - or even five - better than the 2016 contribution from Amir (Haddad), “J'ai cherché”.

Keeping to a tried and trusted recipe (sort of) “Requiem” has been written by  Nazim Khaled, the very same person who composed the 2016 entry and who has penned a number of hits for the likes of former Voice winner Kendji Girac such as “Andalouse” and “Conmigo”  or Popstars’ season 2 (2002) participant - and now mainstay of the French music scene - Chimène Badi with “Mes silences”.

So, Khaled’s ability to write a catchy little ditty isn’t really in doubt, even if “Requiem” reflects the same sort of musical heritage as many of the hits he wrote for Girac (Spanish-gypsy-north African flavours) and has just the slightest hint of Belgium’s electro-pop music maestro, Stromae to it.

The weak link perhaps will be the 28-year-old Alma’s ability to perform. She doesn’t have the greatest of voices (on reflection, maybe not a pre-requisite for doing well at Eurovision) and, as you can see from her live performance during Ukraine’s televised national final to determine its representative, lacks stage presence.

All that set aside,

The omens are good(ish) even if the song isn’t particularly (and since when did that matter at Eurovision) and  2017 could well prove to be France’s year.

The presidential election campaign (how on Earth did that make its way into a piece about “music” - stretching a point is what it’s called) has been pulling the attention of political pundits from around the world. That’s a rare occurrence during the campaign stage and perhaps due to the presence of a) the far-right Front National’s Marine Le Pen and her chances of making it through to the second-round run-off, b) the dour refusal by the right’s candidate François Fillon to admit there was anything wrong earlier in his career in employing family members - wife and children - as parliamentary assistants for the modest sum of almost €900,000 and c) the 39-year-old golden boy of the moment Emmanuel Macron, who has never held a politically-elected position in his life but has quickly become the “darling of the nation”.

Then there’s the chance of Paris being awarded the 2024 Summer Olympics. All right, so it has at least a 50 per cent chance as there are only two cities (Los Angeles being the other one) left in the race. And, if it doesn’t convince International Olympic Committee members in the September 2017 announcement in Lima, it could still see itself appointed as the 2028 host city - although that remains but a rumour.

Something that is more than speculation and indeed a fact, is the country’s triumph at Miss Universe 2017. That title was claimed by the 24-year-old Iris Mittenaere, Miss France 2016, in February although it somehow slipped under the radar of the French president, François Hollande, who neglected to send his congratulations or even acknowledge the win.

Mittenaere though, along with Amir’s “success” (really, the inverted commas are obligatory), Khaled’s songwriting “skills” and Alma’s “singing” talents all bode well for possible victory in Kiev…n’est ce pas?

Cough, cough. Splutter. “Enjoy”.

Friday’s French music break - Cyril Mokaïesh & Bernard Lavilliers, “La loi du marché”

There’s no doubt about it. This week’s choice for Friday’s French music break is a heartfelt piece of social and political commentary (and that’s not hyperbolising) with a haunting melody and powerful lyrics that would leave only the most insensitive, indifferent.

Inspired by Stéphane Brizé’s award-winning 2015 drama “La Loi du marché” (“The Measure of a Man”) for which Vincent Lindon (deservedly) won Best Actor at last year’s Cannes film festival and a César (the French equivalent of the Oscar) in 2016, Cyril Mokaïesh’s song of the same name sees him pair up with another politically engaged artist, albeit from another generation, Bernard Lavilliers.

And the combination of Mokaïesh (31) and Lavilliers (69) is a stroke of genius.

As is the clip which accompanies the song, directed by none other than Brizé, the man who made the film.

Cyril Mokaïesh (screenshot from official video of “La loi du marché”)

Bernard Lavilliers (screenshot from official video of “La loi du marché”)

“ ‘La Loi du marché’ (the film) marks a moment in our history,” Mokaïesh said in an interview with Le Huffington Post.

“It’s about the difficulty of contemporary existence , the fierce world of work and its injustices.”

So moved was he by the “poetic nature” of the film that Mokaïesh wanted to “make his own contribution”, and in particular express the,“difficult lived of migrants and the way in which society had become dysfunctional” without neglecting structural and social issues in France of course.

You see, a world and-a-half removed from what many other artists have to offer.

“There is no song that can change the course of events,” he said.  “But there is a chance that it (a song) can reveal feelings and unite forces.”

The (overwhelmingly positive) reaction to the song on Mokaïesh’s Facebook page might well be from those who have already been converted to his music and his message. But there’s a strength in both the lyrics and performance that’s undeniable. And Brize’s video clip complements it perfectly.

Maybe there is hope that Mokaïesh’s sentiments, as idealistic as they most definitely are, might be heard by some who are not necessarily natural listeners of his music.

Anyway, here’s a triple recommendation for you.

Firstly, if you haven’t already, try to see Brizé’s film (the first clip below is the trailer): it’s touching and troubling and, needless to say, Lindon is just magnificent.

Secondly, take a listen to (and a look at) Mokaïesh and Lavilliers’ joint “contribution” (the second clip below).

And finally, read the lyrics (in French). “Real” poetry.

Friday’s French music break - Claudio Capéo, “Un homme debout”

There is life after “The Voice : La Plus Belle Voix” even if a) you don’t win it and b) by your own admission you’re far from having the talent to match those who have really been blessed with vocal cords that actually merit the moniker.

Such is the artist featured in this week’s Friday French music break; Claudio Capéo with his breakthrough single “Un homme debout”.

Claudio Capéo (screenshot from “Un homme debout” official video)

Capéo (real name, Claudio Ruccolo) appeared in the most recent season of “The Voice” (Won by? Won by? - Do you remember? Do you even care?*), made it through the blind auditions, only to be knocked out in the first round of “les battles”.

Don’t worry if you’re not familiar with the format. It’s enough to know that Capéo didn’t get very far but, as he says in his own words, he wasn’t at all surprised.

“I found it incredible that I was chosen to take part,” he said in an interview on BFM TV. “Just look at what I look like...and I even haven’t taken singing lessons.”

The 31-year-old, who had been playing in the Paris métro for several years, simply took part in the programme to get some professional advice and also (perhaps) some exposure.

And it paid off as his latest single, “Un homme debout” has become one of the surprise summer hits here in France and his latest album (his third)  imaginatively entitled “Claudio Capéo” held the number one spot for five weeks and turned platinum.

Plus he has a series of concerts lined up in towns and cities throughout France in October, November and December, including one date at La Cigale in Paris.

Not bad going for someone whose gravelly voice is (and let’s be upfront about it) not really among the best, but who, along with his cherished accordion (which he has apparently been playing since the age of five) certainly seems to have captured the attention of many French.



* Slimane Nebchi for those who have been racking their brains…and for those who haven’t)

Friday’s French music break - Måns Zelmerlöw, “Should've gone home (Je ne suis qu’un homme) "

If you’ve been following Friday’s French music break for a while now, you might have noticed the trend for some featured artists to sing only in English…or a sometimes approximate version thereof.

Conversely, there are also several non-native French speakers who choose to re-record tracks they've originally sung in another language specifically for release in francophone countries.

Josef Salvat did it with “Open season” for example.

And so did Mika - although, with “Elle m’a dit”,  he went the whole hog and released a song he had never previously recorded in English.

Joining the club is Swedish pop singer and TV presenter Måns Zelmerlöw with his plaintive (good word that) but catchy “Should've gone home (Je ne suis qu’un homme) “

Måns Zelmerlöw - screenshot from video of “Should've Gone Home (Je ne suis qu’un homme"

Actually on first hearing the song, you might well think it’s Salvat again as it has the same sort of feel to it.

Now, Eurovision fans among you (and there are a fair number scattered around the globe) will probably recognise the name, because Zelmerlöw won the whole shebang for his country back in 2015 and was one of the co-hosts at this year’s show.

Originally released in August 2015 and taken from his sixth studio album “Perfectly damaged”, the French version of “Should've gone home (Je ne suis qu’un homme)” keeps the original melancholic (OK so let’s not exaggerate too much) chorus cry.

But most the verses have been translated - courtesy apparently of singer-songwriter Doriand (Laurent Lescarret) who has done the same for the likes of Mika, Julien Doré and Camélia Jordan.

Anyway, “Should've gone home (Je ne suis qu’un homme) “ isn’t that bad, and neither is Zelmerlöw’s French as the audience at a one-off performance at la Maroquinerie in Paris in October 2015 was able to hear he performed  Gilbert Bècaud’s French standard “Et maintenant”.

Et maintenant

So take a listen.

And just in case there are any Swedish readers out there - Ha en bra helg

Friday’s French music break - Imany, “Don’t be so shy”

August 26, 2016

It hasn’t been easy to find a video to accompany this week’s Friday’s French music break that isn’t, well,  almost semi pornographic.

Little wonder really given the title, feel and not exactly concealed sexual nature of the song.

But hey.

It’s worth sharing because “Don’t be so shy”, the latest single by former French model Imany (Nadia Mladjao) and remixed by Moscow-based House and Deep House DJs Filatov & Karas (Dmitry Filatov and Alex Osokin) to become an upbeat European-wide hit which has topped the charts in several countries, is both contagious and a sumptuous delight.

Imany (screenshot Le Grand Studio, RTL)

This version (you can listen to it here) of “Don’t be so shy” combines class of her sublime and evocative voice with the remix which does the song complete justice.

The song originally featured on the soundtrack of the 2014 film “Sous les jupes des filles” (or “French woman”) and you can hear an excerpt towards the end of this trailer (yes, you’re really being treated to three different versions of the same song this week).

This isn’t the first time Imany has featured on Friday’s French music break (FFMB).

Back in 2011, she exploded on to the French music scene with her debut single, “You will never know”, a song which brought parallels with US singer-songwriter Tracy Chapman and had both commercial and critical success.

Enough words though.

As ever, FFMB is all about the music and the artist - sometimes good, sometimes bad.

Or in this case…excellent.

And here’s Imany with an acoustic version of "Don't be so shy" recorded in the studios of RTL radio.

Enjoy.

You will.

Friday’s French music break - Freedom Fry, “Shaky ground”

Feel like a “Na na na, Hey hey, Na na na” singalong?

Well this week’s Friday’s French music break can happily oblige.

It’s “Shaky ground” from the American-French duo “Freedom Fry”  comprising husband and wife Bruce Driscoll and Parisian-born Marie Seyrat.

Freedom Fry (Marie Seyrat and Bruce Driscoll) - screenshot from “Shaky ground - behind the scenes” video)

The single isn’t exactly new - it was first released in 2015 - but with its revamped French/English version now available (at least to listeners in this country) it has been getting a fair amount of airplay.

Described as an American Indie pop band, Freedom Fry’s music apparently (according to the blurb on their official site) “heavily bleeds the warmth and sunshine of their home state of California” and “skirts the lines between pop, folk and indie rock” while “always (being) blended with danceable rhythms and a singalong chorus.

Yes, well.

In brief that means while they’re unlikely to set the annals of music alight with originality (not-so-eager ears will probably have cottoned on to the similarity - in sound and style - between “Shaky ground” and The Lumineers’ 2013 hit “Ho Hey”) Freedom Fry are immensely easy to listen to and the singalong factor (no matter how annoyingly simple it might be) of the “Na na na, Hey hey, Na na na” chorus is undeniable.

Anyway it’s late August here in France, so who wants to listen to anything too challenging?

So, here you go. Ready? It’s a two-in-one video: first the English version followed by the French-English one…a total of seven minutes and 14 seconds with plenty of…“Na na na, Hey hey, Na na na’s”

Bon week-end!

Friday’s French music break - Céline Dion, “Encore un soir”

You know you’re in trouble when you have to admit that a song from a singer you normally can’t stand actually catches your fancy.

It happened several months ago when…er…(hang head in shame time) Justin Bieber’s “Love yourself” ear-wormed its way into this listener’s head.

A catchy, gentle number that, once Shazamed, revealed itself to be by the 22-year-old Canadian and ergo (apparently) totally inappropriate to anyone over the age of 15.

Still, it’s never a bad thing to admit to having questionable taste, and besides, it would have been churlish (in the ungentlemanly sense) and feeble to have pretended the song no longer appealed simply because it was from The Biebernator.

And…gulp…it has happened again.

No not another Bieber song, after all there’s only so far an adult man can accept to have become (albeit temporarily) a “Belieber” (where’s this vocabulary coming from) and this is Friday’s French music.

This time around it’s…wait for it…from his fellow Canadian and global super shrieker , Céline Dion.

Céline Dion (screenshot Celine Dion - Live in Montreal - “Encore Un Soir”)

OK, so she’s not French either, but “Encore un soir” (the title track of her soon-to-be released album) marks a return to her working together with the Grammy Award-winning French singer-songwriter Jean-Jacques Goldman.

Now, you might be expecting the usual wailing, belting Las Vegas high notes from the 48-year-old mother of three. But no. This has Goldman’s talent written all over it, even if it was reportedly Dion who approached him rather than the other way around (as had been the case in 1996).

Best perhaps not to read too much into the death of her late husband René Angélil in January 2016 and the impact it might or might not have had on her choice of tracks on her new album OR her discernible fashion “relooking” or “transformation” (and let’s be frank, that could only take an upwards direction)

“Encore un soir” is unadulterated middle-of-the-road adult listening…and not unpleasantly so either.

So, sit back. Forget all those pre(mis)conceptions you might have about Dion (or Goldman, come to that), stop being so incredibly snooty about your musical taste credibility…and enjoy!

After all, the worst that could  happen is that you might like it….and if you don’t, you can always hit “stop”

Bon week-end.

Friday's French music break - Kids United, "On écrit sur les murs"

Friday's French music break enters 2016 with a song full of joyous good intent and suitably uplifting but with lyrics that are - to put it mildly - repetitive and borderline tedious.

Kids (doesn't that just grate, especially when the performers in question are French) United are the group who sing the Romano Musumarra and Jean-Marie Moreau penned title "On écrit sur les murs" originally recorded in 1989 by the late Demis Roussos.

Kids United (screenshot from official video)

But while Roussos simply featured "kids"...oops...children...in his (heartwarming) clip, those behind Kids United pull all the syrupy punches available by having the six band members warble their talented way through the complete three minutes.

French telly viewers might recognise a few of the faces (and voices) as 12-year-old Carla was the winner of the first season of "The Voice Kids" (clearly there's no getting away from the term) and eight-year-old Gloria also featured in the show.

Both 15-year-old Esteban and 10-year old Erza have competed in "La France a un incroyable talent".

Completing the line-up are 15-year-old Nilusi and 13-year-old Gabriel - whose talent show appearances are surely just a matter of some time in the not too distant future.

Sponsored by Hélène Segara (she of - among other things - the musical "Notre Dame de Paris" which was described by The Independent newspaper when the London production opened as "A load of old bells" fame) and Corneille (no, not the 17-century French tragedian, Pierre, but the German-born, Rwandan, French and English soul and funk singing Cornelius Nyungura), Kids United deliver a message of hope and inspiration by (and this is from the official site) "interpreting the most beautiful songs celebrating peace and hope."

If you managed to make it to the end of that sentence, here's another one - shorter.

All six are "veritable artists (don't cough of splutter - those marketing the product...er...the "project"...had to make it sound credible) passionate about singing."


Anyway it's all in a good cause - or at least some of it is - as part of the proceeds from record sales of the album "Un monde meilleur" (a "message of optimism and an ode to living together") from which the track has been taken, will go to UNICEF.

And that, regardless of hard-nosed commercial cynicism, has to be a good thing.

Plus, it beats pre-teens and adolescents tackling broken-hearted "Baby" lyrics at the ripe (old) age of 15

Doesn't it?

So, here's what you've been waiting for. Kids United with "On écrit sur les murs".

Happy listening et Bonne année!

Friday's French music break - Mylène Farmer and Sting, "Stolen car"

It's seldom that Friday's French music break features an artist who needs little or no introduction - let alone two!

But that's the case of this week's choice which combines the talents of a Canadian-born French singer, with sales of more than 30 million records in France alone during her 30 + year career, and a British "legend' (the word is not used lightly) who (according to the kind folk over at Wikipedia) ranks among the "world's best-selling music artists" as both a solo performer and with his former group.

The singers (songwriters) in question are of course Mylène Farmer and Sting.

There's so much material available on the Net about both artists, that it's unnecessary to go into any potted biography.

But just in case you need some more info, here are the links to their official sites: Mylene Farmer,
Sting

The pair have teamed up for a remake of "Stolen car", a track taken from Sting's 2003 album "Sacred love" and given a new lease of life.

Where the original is mellow and mellifluous enough (almost to the point of dull - where did Sting leave his "rock" roots you might wonder), the remake is faster, has that typical Farmer ethereal and slightly over-produced studio touch that has very much become her trademark and benefits from the English-French lyric combination.

It entered the French charts this week, toppling the duo of Nicky Jam & Enrique Iglesias from the number one slot, even before the release of the official video.

But, once again, thanks to the power of the Net, you can see snippets of the "making of" in which the two "lock lips" (trust the Daily Mail)

And if you cannot wait, there are some rather "tinny" and distant recordings of the song taken from the radio.

For the moment, here's Sting's 2003 version. As soon as the duo's remake becomes available (the first week of October), it'll be posted here

Friday's French music break - Josef Salvat, "Open season"

This week's Friday's French music break couldn't be more removed - geographically speaking - from France.

Indeed, it comes from the other side of the globe. Australia to be exact.

But given that country was also invited earlier this year to participate in the 60th anniversary of the annual musical jamboree fest, the Eurovision Song Contest, it's perhaps not so surprising for one of its artists to be featured here.

And besides, Josef Salvat, who hit it big in 2014 with his remake of Rihanna's "Diamonds" (written of course by another Australian musical export, Sia Furler) actually sings a fair part of his own reworked "Open Season" in French.

Josef Salvat (screenshot "Open Season ) une autre saison" official video)

Voilà, the reason it's this week's pick.

It's a delightful version of a song that swings along, pulling the listener into it's feelgood mood with couplets which, according to music journalist, Jonathan Hamard, are "especially seductive with their percussion and almost martial rhythm" (!!!).

Whatever words you might choose to describe the 26-year-old's song, the overall effect is only enhanced by an excellent video which is a simple but effective pastiche of its own genre, the "making of".

So sit back. Hit the two links below - one for the French version,  and the other for the English.

Compare and contrast - but more importantly, enjoy!

Friday's French music break - Cats on Trees and Calogero, "Jimmy"

This week's Friday's French music break is from two artists previously featured.

The first is Calogero, is a stalwort of the French music scene who needs little or no introduction to readers in France as he has been around, writing and recording, for the past couple of decades.

Calogero (screenshot RTL performance)

The other is the Toulouse duo of Nina Goern and Yohan Hennequin who are better known as Cats on Trees and rose to prominence with their 2013 hit "Siren's call".

Nina Goern and Yohan Hennequin - Cats on Trees

 Together they've come up with a seamless match in the form of the single "Jimmy".

The 44-year-old Calogero's music is instantly recognisable and he has won several awards including three Victoires de la musique - the French equivalent of the Grammys - for best male artist (2004) and twice for Best original song (2005 with "Si seulement je pouvais lui manquer" and 2015 for "Un jour au mauvais endroit").

Throughout the years, Calogero has teamed up with, and/or (more often) written for,  a number of artists, among them Grand Corps Malade, François Hardy, Pascal Obispo and (inevitably perhaps, as just about every French composer has) Johnny Hallyday.

Given his track record as a successful writer, it's perhaps surprising, if not unusual, that Calogero agreed to accompany the duo on their own composition.

Especially as it failed to make its mark on the charts first time around when Goern and Hennequin released it in 2014.

But Calogero was definitely "up for it" as, according to Cats on Trees' official site, the trio became friends following several joint television and festival appearances.

Goern and Hennequin (who normally write and record in English)  reworked the song to include some French lyrics...et voilà, quoi.

The result - not only a delightfully melodic recording but fitting hit material too.

http://www.chartsinfrance.net/Cats-on-Trees/Jimmy-s36254.html

Enjoy et bon week-end.

Friday's French music break - Lisa Angell, "N'oubliez pas"

France wins the Eurovision Song Contest after 38 year long wait.

Well, that might well be the dream of France Télévisions executives who, in their infinite wisdom, have chosen a song that could have sealed victory several decades ago.

But that "dream" risks becoming a repeat nightmare of last year's final place entry when Twin Twin (who?) managed just two measly points.

Hoping for better things (well, let's face it, they could hardly get worse) France has plumped for another act largely unknown to the domestic audience to fly the tricolore at this year's annual "music" fest to be held in Vienna, Austria.

Lisa Angell will warble her way to Eurovision obscurity with the perhaps worryingly premonitive "N'oubliez pas" ("Don't forget").

Lisa Angell (screenshot from "N'oubliez pas")

Yep, while 21 of the 27 countries appearing in the final have opted to sing in the musical lingua franca of English (or "la la" approximative versions of it anyway), France has decided steadfastly to buck the trend by insisting on sending someone along singing a "proper" French entry...and that means in French.

Not that "la langue de Molière" will help improve Angell's chances though, as the song is dated, probably lacking in real appeal and instantly forgettable the moment it has finished.

And that can be an important element in Eurovision voting (you can decide for yourselves how weighted and unfair/fair it might be, there has been much...far too much...written on that subject)

as Angell will be the second act to take to the stage on Saturday and might well have become a foggy memory by the time all 27 countries have "done their stuff".

"Gifted with a powerful voice" and "extremely proud and happy to represent her country...with a song of hope and peace, of courage and solidarity," Angell may well be.


But that's unlikely to impress the millions who'll be watching the televised marathon, and France looks set to wait a little (lot) longer for that seemingly evasive Eurovision win.

Which is a shame, as there is so much (young) talent around that could have reflected the true nature and variety of the French music scene, such as The Avener, Cats on Trees, Marina Kaye, Louane Emera, Kendji Girac, Christina and the queens...to name just a few.

But hey. This is Eurovision - and more often than not it's the lowest common denominator that counts which, come to think of it, is probably the only thing to be said in Angell's favour.

Take a listen.

Try not to yawn.

And "enjoy" this week's Friday's French music break.

Friday's French music break - Keen'V, "Saltimbanque"

Friday's French music break this week has more than a feel of Bollywood about it.

It's "Saltimbanque" by Kevin Bonnet, better known by his stage name,  Keen'V.

Quite frankly, the 32-year-old might not be among the greatest singers around but that hasn't detracted from his popular appeal and he has had a string of hits over the years including most notably "J'aimerais trop" in 2009, "La vie du bon côté" in 2012 and "Dis Moi Oui (Marina)" in 2013.

Keen'V (screenshot from appearance on "Comment ça va bien", France 2 - September 2014)

From the very beginning (in 2008 when he decided to take to the Net by posting on YouTube), Keen'V's style has most definitely been dancefloor inspired mixing elements of ragga(muffin), raggae, zouk, French "varieté", electro and simple pop to come up with a sound that most certainly makes you want to...er...strut your stuff.

Probably most popular with a teenage audience (evidence of that, perhaps, is that he picked up an NRJ music award in 2012 as Révélation francophone de l'année) but has taken steps recently to broaden his appeal to the whole family with appearances in celebrity reality TV programmes such as the French versions of "Splash", le grand plongeon (season one) and "Strictly come dancing" ("Danse avec les stars" - season four).

"Saltimbanque" is the title track from Keen'v's chart-topping fifth studio album released in 2014

True to his dance music style and that of being an acrobat or "saltimbanque" (albeit a vocal one) the song is definitely one made for...well, dancing.

Its lyrics (let's not get too deep here) come across as almost autobiographic with Keen'V "proud to be an acrobat" and having chosen music because "he prefers the nightclub atmosphere".

The song might sound a little too studio over-produced, but that doesn't really matter because its real pull lies in the electro-Bollywood feel and beat.

Take a listen. The official video only features a still of Keen'V and the lyrics, which is a bit of a shame because their a real dance performance would have been a bonus.

And if you want to catch Keen'V live, you're in luck because he'll be embarking on a two-month nationwide tour of France from April with dates scheduled in a number of Zeniths including those in Amiens, Caen, Paris, Toulouse and his home city of Rouen.

Bon week-end and enjoy.

Friday's French music break - Millers Daughter featuring Nicom, "Undeniable"

Friday's French music break this week isn't exactly French.

It's "Undeniable" from the British duo (twin sisters actually) of Louise and Christie Miller -better known as Millers Daughter.

Millers Daughter (screenshot from "Undeniable" official video)

The French angle is that for the release of the song in France, they've teamed up with Nicom (an interview here with him - in French) for a version that combines all the country pop feel of the original with an almost typical Jean-Jacques Goldman sound.

Not a bad way to break into the French market and "Undeniable" (taken from Millers Daughter's debut album "So Hollywood") has been receiving plenty of radio airplay.

Nicom (screenshot from "Undeniable" official video)

Millers Daughter and Nicom are all alumni of My Major Company, the crowdfunding platform started and co-owned incidentally by Goldman's son, Michel in France in 2007,  and responsible for the launch of (now established) acts such as Grégoire, Irma and Joyce Jonathan.

There's no denying that "Undeniable" has a US twang to it - almost Taylor Swift-ish (or Shania Twain?) - and that's not surprising perhaps as Milllers Daughter name the American singer-songwriter among the artists they like (along with "Snow Patrol, John Mayer, Lady Antebellum, Mumford & Sons and many many more.."

Their influences are also very pop, country, soft-rock inspired (Fleetwood Mac, ABBA, The Eagles, Shania Twain Dolly Parton..."and pretty much anything with great hooks and melodies! so..the list goes on...") so it's not really surprising that "Undeniable" contains exactly what they enjoy most...a great hook and a very catchy melody.

"Undeniable" is immensely sing-a-longable. The duo's voices are pleasant without causing any offence (it might be going just a little over the top, as one reviewer did, to describe the song as having "crystalline melodies, mountain-air pure harmonies and solid gold choruses that you thought they didn’t make anymore) and the addition of Nicom gives the song that Anglo-French touch so popular with many trending artists in this country.

"Undeniable" is no nonsense, pure pop music at its best (or worst for some people).

It is what it is - and there's absolutely nothing wrong with that frankly - unless you're a complete misery.

So, here are both the original and the more recent version with the addition of Nicom.

Happy listening et bon week-end!

Friday's French music break - Vianney, "Pas là"

Friday's French music break this week is proof that there are a number of talented young singer-songwriters ready to make their mark on the French music scene.

It's "Pas là" from the 23-year-old Vianney Bureau who goes simply by his first name as a performer.

Vianney (screenshot from "Pas là" official video)

"Pas là" is the second track to be released from his debut album "Idées blanches" and deals with that time-honored tradition of disappointed love.

Nothing startling new there...but given its wonderfully melancholic (and at the same time very catchy) melody combined with clever lyrics, it has been getting plenty of airplay.

Just listen to the opening lines of the song and you'll soon be aware that Vianney is no ordinary songwriter but one blessed with the talent to write poetically.

And, oh yes, his voice has a gentle elegance to it and a pitch quite different from many others of his generation. Plus he has an ability to perform live that just makes you want to hear more (check out this acoustic version during an appearance on France Ô)

Vianney hasn't gone unnoticed among music critics with Yannick Delneste writing enthusiastically to say the least) in the regional daily Sud Ouest after the release of the first single "Je te déteste" that it had "a sense of an unstoppable and unifying melody, swirling vocals and clever texts"

And in L'Express, Gilles Médioni described Vianney as being "exceptional and different" not just because of his musicality but also his background.

"Polite, cheerful and stylish, he attended a military lycée (at this own request), grew up in Panama in a family of four boys, went to business school in Paris before completing a diploma at the private fashion school Esmod."

Those were experiences which Vianney himself said had "opened his mind socially and artistically" as did presumably the part time jobs, singing in the Paris métro, a hitchiking trip to Israel  (crossing the Balkans and Turkey), cycling to Stockholm and, and and.

Yes, he sure has packed a lot (of unusual things) into a short space of time, and probably is as far removed as is possible from the TV talent show route that so many of his generation take to achieve instant (and often ephemeral) fame.

Put simply, Vianney, who has apparently been writing songs ever since he "discovered music" at the age of 12 is a name to remember and, more importantly, a talent to remember.

His album "Idées blanches"  - only released in October 2014 - has already been nominated for a Victoires de la musique award (the French equivalent of the Grammys) alongside Indila's "Mini World" and François and the Atlas Mountains "Piano ombre" in the category Album révélations.

The winner will be announced on February 13.

Vianney has several dates lined up throughout France from March onwards, including one at Le Trianon in Paris and smaller venues such as Rock School Barbey in Bordeaux, La Dynamo in Toulouse and the Cargo de Nuit in Arles.

But keep an eye on his Facebook page for news of further dates.

For the moment though, here's "Pas là".

Enjoy.

You will!

Friday's French music break - Julien Doré, "Chou Wasabi"

Friday's French music break puts paid to the myth that contestants, let alone winners, of TV  talent shows have a limited appeal after their 15-minutes of small screen fame, lack originality and are simply a product of prime time television.

That might well be the case of the vast majority of wannabe warblers, but there are exceptions to the rule.

When Julien Doré won the fifth edition of the once-defunct but since-revived "Nouvelle Star" (the French version of Pop Idol) in 2007 he had spent a season interpreting other people's songs and doing so with a refreshing touch of creativity.

Julien Doré (screenshot TV5 Monde "Acoustic" - September 2014)

Few, who followed his progress through the competition, will forget his rocked-up rendition of Alizée's "Moi...Lolita", the debut single in 2000 from the then Mylène Farmer managed 15-year-old. .

Doré went further later in the competition with another unlikely rocked-up (but this time acoustic) version of a pop giant when he transformed Britney Spear's quintessential international Disney break-out teen hit "Baby One More Time" into...well, something else.

OK OK so most definitely not his genre, but it got Doré noticed and it was clear that he had a talent, was prepared to take risks  and didn't appear to take the whole talent show experience too seriously.

Plus he had stage presence, charm, charisma and his very distinctive style and musicality.

And that has served him well ever since, with each of his three albums - "Ersatz" in 2008, "Bichon" in 2011 and most recently the critically acclaimed "Love" (guess the theme) in 2013 - reflecting his musical eclecticism

Just as important, in interviews, Doré doesn't appear to come across as having been bitten by the star bug, his concerts (see a list here for upcoming dates) are a treat for fans as the "master of the ukele" (the instrument with which he auditioned for "Nouvelle Star") draws in a crowd of all ages.

If the excellent "Paris-Seychelles" - the first track to be lifted from "Love" as a single - whetted your appetite, then ""Chou Wasabi" si probably its natural successor - lyrically and melodically - as well as the video which features the same "young Doré double".

Australian-born Micky Green joins Doré for the duet which "evokes a relationship reaching its end"

And its quite simply hauntingly beautiful.

Enjoy.

Friday's French music break - Brigitte, "À bouche que veux-tu"

Friday's French music break this week is sheer delight and a real treat.

It's the title track "À bouche que veux-tu" of the the new album released this week from the duo Brigitte.

Brigitte (screenshot from official video of "À bouche que veux-tu")

The group are the "indie folk musical duo" of Aurelie Saada and Sylvie Hoarau and, it quickly becomes clear that "indie" label is highly appropriate in the sense that their music is hard to categorise.

Their Myspace bio - yes some artists still seem to be using it - describes them as "A throwback to the flower power era, '60s revivalists...combining lounge-pop, retro folk, and French cabaret to produce an authentic hippie-chic sound."

And that, if anything, seems a pretty accurate description.

Their music (and their videos) is (are) highly stylised, melodic and yes, retro without a doubt.

But the duo are also very "modern"...if that makes any sense (and when did you last read a musical review that did?)...offering a distinctive sound that won't leave you indifferent (in a very positive way).

Take a listen for example to two of their best-known past singles, "Battez vous" and "Oh la la" and you'll quickly become hooked.

Brigitte already have one Victoire de la musique award under their belts for Group or Artist Stage Révélation of the Year in 2012 - and this album, and the accompanying tour should ensure they'll be in the running once again next year - perhaps for one of the major gongs..

You can catch the pair on tour throughout France, including two dates at Olympia in Paris in May 2015.

So without further ado, here's a taste of what you can expect...Brigitte with "À bouche que veux-tu".

And as a bonus, the official version followed by an acoustic one.

Enjoy.

You most definitely will!

Friday's French music break - Carmen Maria Vega, "Oser les larmes"

Friday's French music break this week is from a musical.

It's "Oser les larmes", sung by Carmen Maria Vega who plays the lead role in the show billed as "the musical spectacle of the new season" in the shape of "Mistinguett, Reine des années folles"

Carmen Maria Vega (screenshot performing "Oser les larmes" RTL le Grand Studio, September, 2014)

Now, don't groan, be misled or become all snooty at the idea of a musical - and a French one at that (yes they exist) because "Mistinguett" distinguishes itself by Vega's performance and voice for starters and the inspiration for the show, Jeanne Bourgeois.

She was a French actress and singer who began her career at cabaret venues in Paris before taking her show to across the Pond to become a Music Hall star in the States.

"Mistinguett" is produced by Albert Cohen, a man who has had a hand in some of the most popular musicals in France in recent years including "Les Dix Commandements", "Le Roi Soleil", "Mozart, l'opéra rock" and most recently "1789: Les Amants de la Bastille" - all of which were huge domestic successes.

So the man knows how to put "bums on seats".

The musical cleverly portrays part of Mistinguett's life - and that of the history of the Casino de Paris - in the "Golden Twenties", complete with singers, musicians, actors and dancers who, "tell the story of the creation of the first vaudeville show and one that Broadway."

The show hasn't left the critics indifferent. Benoît Tourné writing for Musical Avenue.fr questioned who would be the "core target audience" (the elderly who might still remember Mistinguett or the young unfamiliar with her) but admitted the show was "excellently crafted...seductive and not to be missed."

And Sophie Delassein in "l'Obs" said the show was "unlike any other musical" and one whose success lay "in combining new songs with those from the era in which the production is set."

The real star (and "find" if you like - at least to a wider public) though is 30-year-old Guatemalan-born Vega, whose performance is stunning: she really is Mistinguett, and reason enough for seeing the show as well as discovering some of the other work she has already done (visit her official site and check out her tribute album to Boris Vian for example).

"Mistinguett, Reine des années folles" opened at the Casino de Paris in September and will run until January before going on a nationwide tour.

Friday's French music break - Calogero, "Le portrait"

Friday's French music break this week comes from an artist who needs little or no introduction to the French.

It's Calogero (Calogero Maurici) with his latest single "Le portrait".

Calogero (screenshot live performance of "Un jour au mauvais endroit" le Grand Studio RTL)

The song is another melodic masterpiece from a man who has well and truly made his mark on the French music scene.

Once again, Calogero delivers an instantly recognisable tune which is more than pleasing to the ear with a voice that matches perfectly.

It's in the tradition of what he describes as pop-rock: another memorable and moving melody along the lines of  "En apesanteur", released in 2002, "Si seulement je pouvais lui manquer" (2004) "Pomme C" (2007) a couple of duos,  "Face à la mer" (2004 with rapper Passi) and "La débâcle des sentiments" (2008 with co Circus band member Stanislas), and, and, and.

Hit on the links to take a listen.

Now, there's a lot of material out there about Calogero and his career including inevitably Wikpedia in French and English (it's worth comparing the two, if you can).

From his beginnings as Charlie, lead singer of the 1980s band Les Charts, his re-emergence at in 2000 as a solo singer and the path which has seen him become an established member of mainstream French music scene.

So there's no need to repeat it all here.

You can simply search the Net, and you'll come up with something.

But it's worth perhaps pointing out just how respected and prominent Calogero has become over the years.

He has written for a number of artists including, Jenifer, Patrick Fiori, Françoise Hardy, Pascal Obispo, Florent Pagny and...of course (because just about every French composer has)...Johnny Hallyday.

And a fair number showed up for a recent edition of the France 2 Saturday evening entertainment programme "Le Grand Show", dedicated to to the 43-year-old and to celebrate 15 years (as a solo artist) as well as the release of his most recent album, "Les Feux d'artifice".

Which brings us back nicely to this week's Friday's French music break - "Le portrait" - the fourth track from the album to be released as a single.

Enough words.

Just listen - and enjoy.

Oh yes...and if you get the chance, try to see him live. He's on tour until April 2015.

Friday's French music break - Étienne Daho, "En surface"

Friday's French music break this week is from a singer who first broke on to the music scene back in 1981.

It's "En surface", the most recent single from Étienne Daho and taken from his 2013 album "Les Chansons de l'innocence retrouvée"

Étienne Daho (screenshot from official video of "En surface".

As you can tell, Daho has been around a while and has built up a firm and loyal fan base and has become (in the words of the promotional blurb) "one of the most influential personalities to have emerged on the French scene in the last 30 years"

Part of the problem (for those not quite so enamoured of his music) is that Daho seems to have been "singing"  (inverted commas entirely intentional as he has a "voice" that surely only the French could "love") variations of the same song since the 1980s.

And in fact, he appears to be well and truly stuck in that era, offering up little that is sparklingly different, not to mention tuneful and instead relying on a tried and tested recipe of electro-pop "synth-driven and rock-surf influenced" (his English language Wikipedia entry, so you know it must be right). music which has, admittedly, served him well over the decades.

Very well in fact with every album turning gold or platinum and a slew of successful singles.

Granted "the familiarity factor" could probably be said to be true for many artists who've proven their longevity, but in the process, Daho just sounds too moody and bored when he sings. Don't you think?

"En surface" is one of those songs that you hear and wish would be over quickly because the melody and the "low whispery voice" have a combined soporific effect (for some) which will simply send you off to the Land of Nod.

All right. That's not exactly fair - just an opinion.

There are plenty around who have enjoyed, and continue to do so, Daho's music. And the album from which this track was taken, received some pretty good reviews when it was released.

Writing in Le Journal du dimanche, critic Éric Mandel described "Les Chansons de l'innocence retrouvée" as an "ambitious and elegant album" and one that was "sumptuous with songs that stood out for their emotional power."

Oh well.

And then there are the diehard fans, some of whose comments on the "En surface" video on YouTube are equally gushing

"Magnifique chanson , magnifique clip, magnifique chanteur, magnifique voix !" for example. Really, you shouldn't need to run that throught Google translate.

Or

"Une très belle chanson."

And

"Ma chanson préférée de l'album.....octobre est encore loin  pour revivre la magie de ses concerts."

Ah October...and the "Diskönoir" tour which will, over the next few months, see Daho take the show on the road around France (with three dates at Olympia in Paris) Belgium and Luxembourg, plus a date in London on October 23.

Ready? Judge for yourselves.

Actually it's not so bad after a dozen or so hearings....