"Suite 2806" treading the boards with DSK

Well not quite. The disgraced form head of the International Monetary Fund, Dominique Strauss-Kahn, won't actually be taking to the stage, but his persona will be.

And it happens in a play due to open shortly at the Théâtre Daunou in the second arrondissement of the French capital.

"Any resemblance to what actually happened is purely coincidental," runs the blurb for the imaginatively entitled "Suite 2806" the scene, of course, of the infamous encounter at the Sofitel in New York between DSK and the chambermaid Nafissatou Diallos

"Suite 2806" (screenshot of poster for the play)

 Eric Debrosse and Jelle Saminnadin take on the roles of the ingeniously renamed protagonists "Daniel Weissberg" and "Evangeline" in the play written by Guillaume Landrot and directed by Philippe Hersen, who describes it as being "very elegantly and well written, focusing on power, subconcious deliberate mistakes and redemption."

Proving that it's pure "faction" the plot has...wait for it...Evangeline - who has studied modern literature - entering into "a real discussion" with the businessmen Weissberg!

Say no more.

'It examines the origins of the sexual addiction of my character without making any judgement," says Debrosse.

"And Evangeline comes across as a victim but also a strong woman."

Oh well. It'll be something to see in Paris on a cold November or December evening perhaps.

Maybe it's not surprising that the affair is being milked for all its worth - and more.

After all it at the time it made headlines not just in France but around the world and it surely changed the face of French politics, delivering a knockout blow to DSK's chances of running for president of this country.

Since then, there have been books, both fictional ones that have taken their "inspiration" from what went on in the room and "factual" biographies of Strauss-Kahn, the trial, and his long-suffering and deep-pocketed wife (from whom he's now separated) Anne Sinclair.

And what's the betting there'll be many more.

TV of course got in on the act pretty quickly with the US series "Law and Order: Special Victims Unit" borrowing heavily from what reportedly happened in one of its episodes.

And let's not forget the big screen.

French director Abel Ferrara's plans to begin shooting a film inspired by DSK and his political sex scandals, starring Gérard Depardieu (a custom-made bit of casting in terms of physique?) in the main role with Isabelle Adjani as Sinclair might have been put on hold for the moment.

Lack of funding apparently.

But there is of course the x-rated version "DXK" made by Christophe Clark in 2011 which...actually you probably don't need it spelling out.

Watch the accompanying trailer if you feel so inclined, although you'll need to sign in and agree to the conditions before YouTube will allow you access.



The play "Suite 2806" opens at the Théâtre Daunou in Paris on November 21 and runs until the end of the year.

That "special" TV moment between IMF head Christine Lagarde and CNBC journalist Maria Bartiromo

Recently Christine Lagarde, the head of the International Monetary Fund,  appeared, as she has done regularly, on the US-based satellite and cable television business news channel CNBC.

Facing her was the channel's Maria Bartiromo, a journalist with a proven track record, author of several books and recipient of various awards.

Christine Lagarde and Maria Bartiromo (screenshot montage from CNBC video)

The main thrust of what Lagarde had to say was that "austerity upon austerity doesn't work," with Bartiromo pushing to find out whether Greece would be offered a better deal.

So the scene is set for an interview between two very capable women with Bartiromo quizzing Lagarde on the world global economy (of all things) just ahead of the the annual meetings of the IMF and the World Bank Group in Tokyo.

But remember this was television - a medium in which some journalists, even the most experienced and accomplished can fall into the trap of considering themselves to be at least equal if not sometimes better than the person they're interviewing - or at least giving the appearance of what they have to say and their take on an issue, matters.

You know the sort of thing: a journalist specialising in a certain field becomes the expert qualified to share with viewers, listeners or readers, their point of view.

"Hello subjectivity" and "Goodbye objectivity".

Although there are several examples earlier on in the interview of Bartiromo chipping in with her comments on what Lagarde is saying, take a listen to the exchange that takes place between the two when France is mentioned (fast forward to eight minutes and 57 seconds in the accompanying video - you can watch it here).

Lagarde of course is French and before taking over from Dominique Strauss-Kahn (yes the job has become something of a Gallic domain in recent years) she was this country's finance minister.

Bartiromo wanted to find out (really?) Lagarde's thoughts on the 75 per cent tax rate the French government is planning to impose on those earning more than €1 million annually, asking whether she found it "appropriate".

Ever the international diplomat that she has become, Lagarde was not to be drawn saying she was going to take questions on France for obvious reasons.

"Because it's your country?" asked Bartiromo.

"Correct," replied Lagarde.

But that wasn't enough for the journalist who wanted an answer to the question she had "posed", even if now forced, in part, to give it herself.

"It does seem a little aggressive from a policy standpoint," began Bartiromo.

"Do you think we could see that kind of tax rates in other countries? I mean, this is a real debate. I understand you don't want to criticise or comment on something going on in France. But you have to be thinking about this," she finished, allowing Lagarde a little more room for manœuvre without having to appear to comment openly on internal French politics.

A clever rephrasing of the question from Bartiromo to try to tease out an opinion or a point of view that might otherwise be buried under a blanket of diplomatic doublespeak?

Or a clumsy technique of appearing to the devil's advocate but perhaps letting slip her own thoughts on the subject?

You decide.

Either way, for such a normally dry subject, it's a delicious TV moment as both women retain their poise during what could have been an instant of dead air silence.

Hug your Éric Bompard "irresistable cashmere"

Ah commercials.

They've very much been part of our lives for decades now, haven't they.

Some people love 'em; so much so that they insist on arriving early at the cinema to enjoy sitting through them before the real reason for being there - er, the film - begins.

And when it comes to TV, well don't make too much noise during the break otherwise you might just incur their wrath as they gaze in open-mouthed wonderment at the small screen.

All right so the bottom line is surely that commercials are made to sell a service or a product you might not necessarily want or need.

On principal maybe you reject the very nature of what they represent.

But - and there's no getting away from it, even for the most cynical - some of them are ruddy clever.

Such is the case surely of "The hug", the latest offering from Éric Bompard.

"The hug" (screenshot from Èric Bompard commercial)

The company, founded in 1986, specialises in ready-to-wear cashmere clothing and accessories for men, women and children: pricey perhaps, but you get what you pay for.

It's one of those luxury goods lines, if you will, at which the French seem to excel.

If you need proof then just pick up the latest copy of the weekly magazine, Elle, in which the country's former first lady, Carla Bruni-Sarkozy gives an exclusive interview for the first time since she and her husband, Nicolas Sarkozy (just in case you needed reminding) left the Elysée palace.

As well as talking about the unlikelihood of husband making another bid for office, giving advice to the current first lady, girlfriend or whatever you want to call her, Valérie Trierweiler, to tie the knot with François Hollande and enthusing about her upcoming fourth album, Bruni-Sarkozy is also pictured alongside the interview and on the front cover, looking seductively radiant - or should that be radiantly seductive - wearing an Èric Bompard...Pull V oversize ultrafin.

Très glamour.

Carla Bruni-Sarkozy (Elle magazine cover)

So that's the seal of approval from a former top model handily following the recent launch of "The hug".

It's part of the company's "L'étreinte" or "embrace" campaign and quite frankly, it's a delightful spot whose timing couldn't be better.

There has been a sudden and dramatic drop in temperatures over the past couple of days in France and, as we're likely to be reminded ad nauseam over the next upcoming weeks, Christmas isn't that far away.

To top off the whole warm, fuzzy feeling, there's that music to accompany, the aria "Nessun dorma" from Puccini's "Turandot".

It couldn't get much better.

Enjoy.