FRENCH NEWS - in English of course. Politics, sports, reviews, travel, a slice of life in France and stories you might not necessarily be able to find elsewhere on the Net.
You know how the Net is awash with videos showing cats (and less often perhaps dogs) doing the cutest, craziest things?
That "aaaah" factor guaranteed to make you smile.
Well the latest animal video to go "viral" is French and features creatures not commonly recognised for being endearing.
Goats
"Max Muro" (that's the name of the user on YouTube) uploaded the antics of his goats as they discovered the joys of a flexible sheet of steel on February 17.
And already it has been viewed more than seven million times.
"Sunday, around lunch time, " he writes. "The 'family' discovered a new game: I filmed my goats (whose name will remain secret out of respect for their privacy) quite literally swinging"
He apparently only wanted to send the video to a friend but others quickly picked up on it and even (in the second version) set the one minute clip to music.
This week's Friday's French music break has been chosen not so much for the quality of the song - you can be the judge of what you think about that - but more for the controversy surrounding the accompanying video.
It's "College boy" the latest release from one of France's most successful rock bands, "Indochine".
In essence, the song is about the bullying experienced by a schoolboy realising that to be accepted by his peer group will be an uphill struggle, to say the least.
But the video, filmed in black and white and shot by young Canadian director, Xavier Nolan, deliberately uses violence and relies on certain clichés to get its message across.
Writing in Nouvel Observateur, François Jost describes what happens in the video.
"The victim of bullying is a boy coming to terms with his sexuality," he writes.
"He becomes the scapegoat, is tortured by some of his classmates, spat and urinated on while others 'watch with their eyes bound'," continues Jost.
"Finally he's crucified: two bullets through the body."
While Jost insists the video is no worse (and no better) than some US films which portray violence for its own sake and that it in fact depicts to an extent a reality which exists (he gives the example of the behaviour by some in France during the recent demonstrations against same-sex marriage), others have been more critical.
"The video is simple 'trash'," says editor-in-chief for culture at Le Figaro, François Aubel.
"From the paper balls thrown at the boy by his classmates through a whole series of images until his death...even though Indochine insist they're not looking to create a scandal, the whole thing smacks of being a marketing ploy," he added, pointing out that the group will embark on a sell-out tour in the Autumn and will also play Stade de France (one of the few French acts capable of filling it) next year.
Former education minister, Luc Chatel, is none too impressed either.
"Imagine a crucifixion, imagine a murder filmed at the heart of a school. That's not acceptable," he said on national radio when asked about his reaction to the video.
"I'm not certain that the extreme violence of some of the images is the appropriate response to the issue of bullying and harassment," he added.
The Conseil supérieur de l'audiovisuel (CSA), the regulatory body for the media in France, is still determining whether the video is suitable for broadcast on either television or on the Net in this country, so for the moment the full version is unavailable, unless you happen to live in Canada, where it was shot.
On Le Figaro's site though you can see so-called "soft" edited portions of the video - if you really feel so inclined.
Even those images don't make easy viewing.
Maybe though, the last word on the video should be left to the group's front man, Nicola Sirkis.
"We're not looking to be censored or to create a scandal," he says.
"We just wanted to address a problem that exists. When it's possible for a person to buy weapons on the Internet and then turn them against innocent people, it's time for some urgent and serious political thinking."
French singer Samy Messaoud has reinvented the wheel, musically speaking.
Samy Messaoud (screenshot from "Je suis gay" video)
The 25-year-old from the western city of Nantes, who refers to himself as "Samylechanteur" on his blog, has come up with the brainstormingly original idea that "sex might help sell" when it comes to promoting his latest single "Je suis gay" (there's probably no need for a translation).
He appears completely naked in certain scenes of the song's video, flashing his private parts, and accompanied by an equally unclad man and woman.
"I decided to break down the taboo of nudity and without a doubt the clip has gone a bit far," admits Messaoud.
"It's a beautiful video, very elegant, but one in which I dance naked on several occasions with a girl and a boy who are also naked," he continues.
"I have no complex about showing myself naked and it's just too bad for those who are embarrassed - they simply don't have to watch."
No truer word has e'er been said.
If you want to see his wobbly bits wiggling to some trashy music, then just take a look at the video below.
Caution is advised though.
It's probably appropriate to follow the example set by journalist Jean-Marc Morandini whose site carries the warning that certain images contained within the video "might shock" especially those of tender years.
While there's no denying their clearly sexual nature: French kissing, simulated oral sex and tongues just about everywhere, there have certainly been equally "shocking" videos circulating on the Net and broadcast on MTV.
Perhaps the most disturbing or distressing element is that Messaoud actually believes the clip makes the mindless music any more palatable.
You have been warned.
Here goes.
It's awful.
The lyrics - if you're interested - were written by Ton Andries and are...er...how to put this politely...dumb.
They recount (ooh there's a rather overambitious word to describe them) a young boy dressing up in his mother's clothes and dreaming of taking to the catwalk one day.
About the song and its title Messaoud says, "I'm gay and I assume it 100 percent. I just wanted to prove that one can sing and be gay because today so many artists still hide it (their sexuality)."
Really? Obviously he knows something the rest of us don't.
But then, his creativity and words of wisdom clearly know no bounds.
The self-confessed Rachida Dati admirer has paid tribute to the former French justice minister in his latest video and in particular to the much publicised television interview last month during which a slip of the tongue had her replace "inflation" with the word "fellatio".
While that blunder made the headlines both in France and abroad, for Dahn, and his sidekick Richie Adams, it was far from being unintended.
Dirty Dahn (left) and Richie Adams (screeenshot from "Amoreux 2 Rachida"
In fact it was just the excuse the pair needed to release a follow-up to their 2009 offering "Amoureux de Rachida" in which the pair lamented Dati stepping down from the government and "exiling herself" as a member of the European parliament.
This time around Dahn has reworked the 1989 Richard Marx (does anyone remember him?) hit "Right here waiting" in his own inimitable style to come up with "Amoreux 2 Rachida".
It is, as the introduction to the video makes clear, a song written with the conviction that Dati's slip-up was "a signal meant for his ears" and it reawakened hope in him after "several months spent in depression following the failure of his relationship with the former justice minister."
Indeed those are pretty much the sentiments expressed in the lyrics too of a video which has become something of an Internet hit in France since it was released at the beginning of this month.
So sit back, enjoy and swoon along with Dahn in his ode to Dati courtesy of Dailymotion.
Clearly one of France's national television channels, M6, is taking its responsibility to look after the moral welfare of this country's youth seriously.
It has decided that the video accompanying singer-songwriter Raphaël's latest single is "too violent to be shown during daytime hours" and has banished it to late at night or the wee hours of the morning when young children and teenagers are safely tucked up in bed.
screenshot of French singer Raphaël from his latest video
The problem, it would appear to be, is the sight of a "frail young woman being kidnapped by two hooded men" in the clip of "Bar De L'hôtel".
Yes the broadcaster, whose sister channel W9 recently offer viewers of all ages the chance to watch the delights and saucy goings-on of "Dilemma"; reality TV that left little to the imagination (albeit shown at a respectable past-the watershed hour) has decided that Raphaël's video oversteps the mark.
As the website Le Postpoints out, it might be less graphic and certainly far from being as violent as other clips that M6 regularly broadcasts during the day, but as far as the channel is concerned the agreement it has with the television watchdog Conseil Supérieur de l'Audiovisuel, CSA, means that it has an obligation to protect the sensibilities of younger viewers.
Fans and the simply curious though need have no fear of not being able to see the video.
It is of course out there on the Net for everyone to see, on the singer's official website, YouTube, Dailymotion and and elsewhere, and perhaps thanks to M6 is happily picking up a steady flow of hits.
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