Friday’s French music break…on a Saturday - Victoires de la musique 2017 (with Calypso Rose)

Phew. That was a close one. It’s surely a sorry state of affairs for French popular music when a potential winner of its most prestigious annual music awards is an also-ran from the previous year’s Eurovision Song Contest.

Thankfully though sense prevailed and on Friday, Amir (a product of the TV talent show “The Voice” in which he finished third) failed to secure best original song at Les Victoires de la Musique, the French equivalent of the Grammys.

Instead it was the 25- year-old Vianney, winner of Best Male Artist in 2016, who scooped the prize with “Je m’en vais”.

Vianney

http://www.france-today.com/2015/02/fridays-french-music-break-vianney-pas.html

Je m’en vais

https://www.youtube.com/watch?v=eLYyCFuPCX8

Relief all round then as it proves there is some hope for the future of French popular music beyond talent show also rans who fail at Eurovision (hardly the arbiter of good musical taste), a belief further reinforced by the cleverly marketed (and undoubtedly talented) 25-year-old Jain picking up Best Female Artist.

Jain

https://www.youtube.com/watch?v=59Q_lhgGANc

Perhaps that was something of an orchestrated shoe-in as oddly enough someone had forgotten to include Canada’s global screamer Céline Dion in any category in spite of the commercial and critical success of her latest album “Encore un soir”. Love her or loathe her, the decision not to include her among the shortlist was…er…strange.

While Vianney and Jain (oh all right then AND Amir) were securing the future of French popular music for years to come (along with the excellent 20-year-old DJ Kungs - Valentin Brunel - Best electronic and dance album) some of the country’s Golden Oldies were marking their territory.

Unsurprisingly Renaud - who last year made a long-awaited comeback with the album (his first since 2009) “Toujours debout” - added to his career collection of gongs with Best Male Artist, although he missed out in the Best Album category to Benjamin Biolay’s “Palermo Hollywood” and after a decade apart, Louise Attaque marked their get together with Best rock album.

Calypso Rose (screenshot “Calypso Queen” official version)

As far as the most magical moment of the night…well apart from Imany calling for justice and equal treatment of different races during her gospel-inspired (and inspiring) performance of the superb “Silver lining (all clap your hands)" it had to be Trinidad and Tobago’s Calypso Rose (Linda McArtha Monica Sandy-Lewis) singing “Calypso Queen”.

An encore - the “stuffed suits” of the audience doing their thing and a declaration from the 76-year-old that she was now the ^Queen of France” after winning the Best World Music award was quite simply the highlight of the evening.

So here you are… this week’s Friday’s French music break - Calypso Rose with “Calypso Queen”.

Friday’s French music break - Céline Dion, “Encore un soir”

You know you’re in trouble when you have to admit that a song from a singer you normally can’t stand actually catches your fancy.

It happened several months ago when…er…(hang head in shame time) Justin Bieber’s “Love yourself” ear-wormed its way into this listener’s head.

A catchy, gentle number that, once Shazamed, revealed itself to be by the 22-year-old Canadian and ergo (apparently) totally inappropriate to anyone over the age of 15.

Still, it’s never a bad thing to admit to having questionable taste, and besides, it would have been churlish (in the ungentlemanly sense) and feeble to have pretended the song no longer appealed simply because it was from The Biebernator.

And…gulp…it has happened again.

No not another Bieber song, after all there’s only so far an adult man can accept to have become (albeit temporarily) a “Belieber” (where’s this vocabulary coming from) and this is Friday’s French music.

This time around it’s…wait for it…from his fellow Canadian and global super shrieker , Céline Dion.

Céline Dion (screenshot Celine Dion - Live in Montreal - “Encore Un Soir”)

OK, so she’s not French either, but “Encore un soir” (the title track of her soon-to-be released album) marks a return to her working together with the Grammy Award-winning French singer-songwriter Jean-Jacques Goldman.

Now, you might be expecting the usual wailing, belting Las Vegas high notes from the 48-year-old mother of three. But no. This has Goldman’s talent written all over it, even if it was reportedly Dion who approached him rather than the other way around (as had been the case in 1996).

Best perhaps not to read too much into the death of her late husband René Angélil in January 2016 and the impact it might or might not have had on her choice of tracks on her new album OR her discernible fashion “relooking” or “transformation” (and let’s be frank, that could only take an upwards direction)

“Encore un soir” is unadulterated middle-of-the-road adult listening…and not unpleasantly so either.

So, sit back. Forget all those pre(mis)conceptions you might have about Dion (or Goldman, come to that), stop being so incredibly snooty about your musical taste credibility…and enjoy!

After all, the worst that could  happen is that you might like it….and if you don’t, you can always hit “stop”

Bon week-end.

Friday's French music break - Florent Pagny and Pascal Obispo "Je laisse le temps faire"

It's two for the price of one this week as Friday's French music break is actually a duet with Florent Pagny joined by Pascal Obispo in "Je laisse le temps faire".

Pascal Obispo (left) and Florent Pagny (screenshot from official clip)

And even if there were no lyrics to the song you would probably be able to tell from the opening bars that it was French.

It's the accordion that gives it away; not an instrument that features regularly in French pop songs, although if you're a lover of Bal-musette you might beg to differ.

Pagny, now 49, released his first album back in 1990 and since then has tried just about every musical (and hair) style.

They (musically-speaking) have included (among others) the dreadful faux-opera "Baryton" album, one dedicated entirely to Jacques Brel songs - "Pagny chante Brel" (he should have known better) and most recently "Tout et son contraire".

But his biggest - and arguably best - songs have come from the pen of Obispo.

It's not the first time the two men have worked together - far from it.

They go back a fair number of years and Obispo, along with his longtime songwriting partner Lionel Florence, has provided a fair number of songs for Pagny including his biggest hit to date, "Savoir aimer" in 1997 and the cleverly catchy "Ma Liberté de penser" in 2003.

In fact Obispo has been a prolific singer-songwriter since the 1980s, recording songs himself such as "L'important c'est d'aimer" (1999), "Millésime" (2001) and "Fan" (2004), a tribute to Michel Polnareff, that have become firm favourites with not just the French but other artists too - given the number of times they've been covered.

The 46-year-old has also written for a host of other singers including Calogero, Johnny Hallyday, Patricia Kaas, and Canadians Natasha St Pier and Garou.

His 2000 hit musical" Les Dix Commandements" (music by Obispo and lyrics by Florence, and Patrice Guirao) spawned several hits including "L'envie d'aimer" sung by Daniel Levi and Yael Naïm's "L.I.B.R.E".

Prolific, as you can probably tell, is something of an understatement when it comes to Obispo, and what's the betting that his new musical, "Adam et Eve, la seconde chance" won't also spin off a hit or two when it opens in January 2012.

In fact the first track from the show "Rien ne se finit" by Thierry Amiel and Cylia is already getting plenty of airplay.

Anyway that has given you some background to the two men.

You can check out Pagny's official website and (an unofficial) one dedicated to Obispo for more info. They're both in French.

In English there are also the rather incomplete Wikipedia entries for the two men: Pagny and Obispo.

And finally there's an excellent biography on Pagny on the Radio France Internationale site, which also includes a little info on Obispo.

For now though, here they both are performing "Je laisse le temps faire" a jolly boozy breeze of a number. HEY!

Véronic DiCaire triumphs in Paris

There aren't that many impressionists (of the sort that impersonate famous people rather than the painters, writers and composers) around in France who are household names.

And those that are, tend to be men. Indeed it wasn't until a couple of years ago that the general public would probably have been hard pushed to name even one woman.

That all changed when Liane Foly revealed that she was not only a consummate singer but also an excellent impersonator of prominent figures - French and international - both male and female.

Now Foly has competition, and it comes in the shape of Véronic DiCaire, who has just finished an extended run at the Théâtre de la Gaîté playing to packed houses and entertaining audiences with her own stunning array of voices.

Veronic Dicaire (imitatrice de génie) a Paris
par Tadoussac

DiCaire is already a star within the French-speaking community back in her native Canada used to playing at much larger venues.

But her run at the 400-seater Théâtre de la Gaîté fairly blew audiences away and has assured her a return to the French capital in the autumn.



Although DiCaire, just like Foly, has a big singing voice in her own right, she prefers to use it in her show to bring together a group of figures without the political and current affairs bite that is perhaps more of a French tradition where parody takes precedence.

Sure DiCaire picks up on the mannerisms of the women she's impersonating, but the real triumph lies in the spot-on vocal performances which are sometimes hard to distinguish from the original.

That's especially true when she takes on fellow Canadians such as Lynda Lemay, Isabelle Boulay and of course Céline Dion as well as French singers such as Vanessa Paradis, Mireille Mathieu and Edith Piaf or Belgians Maurane, Axelle Red and Lara Fabian.

But don't believe that her range is limited to French-speaking singers if you will.

Madonna, Britney Spears, Rihanna, Amy Winehouse, Christina Aguilera and Lady Gaga were also up there on stage in Paris, courtesy of DiCaire. And even Susan Boyle put in an appearance.

In 90 minutes DiCaire illustrated to the audience how "easy it is to take on someone else's voice" with the helpful explanation of the journey of the "hot potato" from the head of Vanessa Paradis to the mouth of Amy Winehouse and finally hitting the feet as she strutted around the stage Tina Turner style.

But it was probably as Dion that DiCaire really triumphed, a woman for whom she has on occasions been the opening act and whose husband, René Angélil, has even acted as her producer. So the 33-year-old has probably had plenty of time to perfect her impersonation.

In Paris DiCaire took the audience on a trip through Dion's career (and hairstyles) so far, from her first appearance on French television back in the 1980s to a rendition of "All by myself" in which she ducked out at the last moment when she was supposed to hit that high note, just to prolong the wait as she relaunched herself back into the song and out-Diva-ed Dion of course.

And if all that were not enough, she followed it up with a duet featuring two women with completely different voices. Dion's powerful but slightly nasal tones were joined by the much rounder and fuller and deeper ones of Maurane in a performance of Jacques Brel's "Quand on n’a que l’amour" which inevitably had the whole audience on its feet in appreciation at the end.



DiCaire - and her many voices - will now take a well-earned break before taking to the stage again in Canada in May.

But she'll be back in Paris in early November when she'll be performing at the 1,000-seater La Cigale for seven nights.

Sarkozy outs himself as Céline Dion fan

Thankfully nobody broke into song but emotions were running high on Thursday as the French president, Nicolas Sarkozy, bestowed this country’s highest honour, the Légion d'honneur, on the Canadian chanteuse Céline Dion.

The ceremony took place at the president’s official residence, the Elysée palace; the day after Dion had opened a series of sold-out concerts in the French capital – the first time she has performed in Paris since 1999.

In what might have been a speech inspired by listening to a few too many of her songs, Sarkozy waxed lyrical in his praise for Dion who has released albums in both English and French. He thanked her for “making the French language shine abroad” and extolled the power of her music.

“Love has an essential place in our lives and has had a particular importance in your artistic career,” he said.

“There is only one way to love – totally – and there can be no embarrassment in sharing that. It’s a refreshing change,” he added.

For once a visibly moved Dion, who normally talks at nineteen-to-the-dozen, seemed almost lost for words. But don’t pause for breath too long as that obviously didn’t prevent her from being as effusive as ever in accepting the award.

“To receive this from your hands monsieur le president is a great honour. It’s very difficult to express exactly what it means to a simple girl from Champagne, Quebec such as me,” she gushed.

The Elysée was fair awash with Dions as the singer went on to thank her mother, her husband (and agent) René Angelil, their son René-Charles, as well as the whole gaggle of her brothers and sisters – all 13 of them – who were present at the ceremony. She also paid tribute to her father, who died five years ago.

“He would have been proud to see his little girl, his last child, acclaimed in this way by France,” she said.

The Légion d'honneur was created in 1802 by Napoleon as an order of merit to recognise "outstanding services rendered to France or a feat befitting humanity."

And in the past it was limited to intellectual greats, artists, and in general those who had made what was considered an “important” historical contribution.

But many of the more recent recipients have tended to come from the ranks of show business and Dion joins Sean Connery, Barbra Streisand, Clint Eastwood and Johnny Hallyday to name just a few among – some would say far too – many other celebrities.

Purists naturally remain pretty sniffy about the award and some cynics in France have suggested that by bestowing this latest honour, Sarkozy was taking the opportunity to show that he has similar tastes to the masses.

That would not only be somewhat small-minded – after all he has held back somewhat on the Bling Bling glitz and glamour of his presidency recently – but also wrong.

In fact Sarkozy had nothing whatsoever to do with Dion’s selection. He was merely in the right place at the right time to confer the honour

Dion was apparently awarded it three years ago – but depending on which report you might believe she a) never had the time to pop over to Paris to receive it because she was too busy wowing her fans and playing to full houses in Las Vegas. Or b) didn’t find out about it until just over one month ago.

It was a busy week for Sarkozy in terms of handing out awards. On Wednesday he also upgraded US film director Steven Spielberg to the highest order of the Légion d'honneur.