There aren't that many impressionists (of the sort that impersonate famous people rather than the painters, writers and composers) around in France who are household names.
And those that are, tend to be men. Indeed it wasn't until a couple of years ago that the general public would probably have been hard pushed to name even one woman.
That all changed when Liane Foly revealed that she was not only a consummate singer but also an excellent impersonator of prominent figures - French and international - both male and female.
Now Foly has competition, and it comes in the shape of Véronic DiCaire, who has just finished an extended run at the Théâtre de la Gaîté playing to packed houses and entertaining audiences with her own stunning array of voices.
DiCaire is already a star within the French-speaking community back in her native Canada used to playing at much larger venues.
But her run at the 400-seater Théâtre de la Gaîté fairly blew audiences away and has assured her a return to the French capital in the autumn.
Although DiCaire, just like Foly, has a big singing voice in her own right, she prefers to use it in her show to bring together a group of figures without the political and current affairs bite that is perhaps more of a French tradition where parody takes precedence.
Sure DiCaire picks up on the mannerisms of the women she's impersonating, but the real triumph lies in the spot-on vocal performances which are sometimes hard to distinguish from the original.
That's especially true when she takes on fellow Canadians such as Lynda Lemay, Isabelle Boulay and of course Céline Dion as well as French singers such as Vanessa Paradis, Mireille Mathieu and Edith Piaf or Belgians Maurane, Axelle Red and Lara Fabian.
But don't believe that her range is limited to French-speaking singers if you will.
Madonna, Britney Spears, Rihanna, Amy Winehouse, Christina Aguilera and Lady Gaga were also up there on stage in Paris, courtesy of DiCaire. And even Susan Boyle put in an appearance.
In 90 minutes DiCaire illustrated to the audience how "easy it is to take on someone else's voice" with the helpful explanation of the journey of the "hot potato" from the head of Vanessa Paradis to the mouth of Amy Winehouse and finally hitting the feet as she strutted around the stage Tina Turner style.
But it was probably as Dion that DiCaire really triumphed, a woman for whom she has on occasions been the opening act and whose husband, René Angélil, has even acted as her producer. So the 33-year-old has probably had plenty of time to perfect her impersonation.
In Paris DiCaire took the audience on a trip through Dion's career (and hairstyles) so far, from her first appearance on French television back in the 1980s to a rendition of "All by myself" in which she ducked out at the last moment when she was supposed to hit that high note, just to prolong the wait as she relaunched herself back into the song and out-Diva-ed Dion of course.
And if all that were not enough, she followed it up with a duet featuring two women with completely different voices. Dion's powerful but slightly nasal tones were joined by the much rounder and fuller and deeper ones of Maurane in a performance of Jacques Brel's "Quand on n’a que l’amour" which inevitably had the whole audience on its feet in appreciation at the end.
DiCaire - and her many voices - will now take a well-earned break before taking to the stage again in Canada in May.
But she'll be back in Paris in early November when she'll be performing at the 1,000-seater La Cigale for seven nights.
Mexico/Guatemala [Travel writing reformatted for Instagram]
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I’ve taken some of my old travel essays and mashed them into an
Instgram-friendly ready-to-consume serving. In 2005 my
then-girlfriend-now-wife and I fle...
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