Friday’s French music break - Céline Dion, “Encore un soir”

You know you’re in trouble when you have to admit that a song from a singer you normally can’t stand actually catches your fancy.

It happened several months ago when…er…(hang head in shame time) Justin Bieber’s “Love yourself” ear-wormed its way into this listener’s head.

A catchy, gentle number that, once Shazamed, revealed itself to be by the 22-year-old Canadian and ergo (apparently) totally inappropriate to anyone over the age of 15.

Still, it’s never a bad thing to admit to having questionable taste, and besides, it would have been churlish (in the ungentlemanly sense) and feeble to have pretended the song no longer appealed simply because it was from The Biebernator.

And…gulp…it has happened again.

No not another Bieber song, after all there’s only so far an adult man can accept to have become (albeit temporarily) a “Belieber” (where’s this vocabulary coming from) and this is Friday’s French music.

This time around it’s…wait for it…from his fellow Canadian and global super shrieker , Céline Dion.

Céline Dion (screenshot Celine Dion - Live in Montreal - “Encore Un Soir”)

OK, so she’s not French either, but “Encore un soir” (the title track of her soon-to-be released album) marks a return to her working together with the Grammy Award-winning French singer-songwriter Jean-Jacques Goldman.

Now, you might be expecting the usual wailing, belting Las Vegas high notes from the 48-year-old mother of three. But no. This has Goldman’s talent written all over it, even if it was reportedly Dion who approached him rather than the other way around (as had been the case in 1996).

Best perhaps not to read too much into the death of her late husband René Angélil in January 2016 and the impact it might or might not have had on her choice of tracks on her new album OR her discernible fashion “relooking” or “transformation” (and let’s be frank, that could only take an upwards direction)

“Encore un soir” is unadulterated middle-of-the-road adult listening…and not unpleasantly so either.

So, sit back. Forget all those pre(mis)conceptions you might have about Dion (or Goldman, come to that), stop being so incredibly snooty about your musical taste credibility…and enjoy!

After all, the worst that could  happen is that you might like it….and if you don’t, you can always hit “stop”

Bon week-end.

Friday's French music break - Millers Daughter featuring Nicom, "Undeniable"

Friday's French music break this week isn't exactly French.

It's "Undeniable" from the British duo (twin sisters actually) of Louise and Christie Miller -better known as Millers Daughter.

Millers Daughter (screenshot from "Undeniable" official video)

The French angle is that for the release of the song in France, they've teamed up with Nicom (an interview here with him - in French) for a version that combines all the country pop feel of the original with an almost typical Jean-Jacques Goldman sound.

Not a bad way to break into the French market and "Undeniable" (taken from Millers Daughter's debut album "So Hollywood") has been receiving plenty of radio airplay.

Nicom (screenshot from "Undeniable" official video)

Millers Daughter and Nicom are all alumni of My Major Company, the crowdfunding platform started and co-owned incidentally by Goldman's son, Michel in France in 2007,  and responsible for the launch of (now established) acts such as Grégoire, Irma and Joyce Jonathan.

There's no denying that "Undeniable" has a US twang to it - almost Taylor Swift-ish (or Shania Twain?) - and that's not surprising perhaps as Milllers Daughter name the American singer-songwriter among the artists they like (along with "Snow Patrol, John Mayer, Lady Antebellum, Mumford & Sons and many many more.."

Their influences are also very pop, country, soft-rock inspired (Fleetwood Mac, ABBA, The Eagles, Shania Twain Dolly Parton..."and pretty much anything with great hooks and melodies! so..the list goes on...") so it's not really surprising that "Undeniable" contains exactly what they enjoy most...a great hook and a very catchy melody.

"Undeniable" is immensely sing-a-longable. The duo's voices are pleasant without causing any offence (it might be going just a little over the top, as one reviewer did, to describe the song as having "crystalline melodies, mountain-air pure harmonies and solid gold choruses that you thought they didn’t make anymore) and the addition of Nicom gives the song that Anglo-French touch so popular with many trending artists in this country.

"Undeniable" is no nonsense, pure pop music at its best (or worst for some people).

It is what it is - and there's absolutely nothing wrong with that frankly - unless you're a complete misery.

So, here are both the original and the more recent version with the addition of Nicom.

Happy listening et bon week-end!