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Showing posts with label Christophe Willem. Show all posts
Showing posts with label Christophe Willem. Show all posts

Tuesday, 18 December 2012

Star Academy's Manika Auxire - the voice that could sink a thousand ships

A couple of familiar formats have returned to French TV screens recently and both of them are searching, or supposedly acting as launching pads, for musical "talent".

Star Academy, the show that "discovered" Jenifer, Nolwenn Leroy and Magalie Vaé (who?) during its nine seasons on TF1, and the Pop Idol-inspired Nouvelle Star which over eight years on M6 gave France the likes of Christophe Willem, Julien Doré, Amel Bent and Jonatan Cerrada (another "who"?) are back after an unregrettable absence.

Manika Auxire (screenshot profile on Star Academy)

You might have a little difficulty finding either of them as there was a reason why TF1 and M6 cancelled the shows.

But that hasn't stopped two of the country's digital terrestrial television (TNT) channels, repackaging clapped-out concepts in an effort to attract viewers.

While Nouvelle Star is still in the audition phase on the newly-relaunched D8, owned by the Canal + Group, Star Academy is well underway on NRJ 12.

There have already been two live prime time shows: the first to introduce the contestants to the viewing public, and the second to begin the process of weekly elimination.

And on the evidence so far, the least that can be said is there's far from being a bottomless pit of musical talent in France.

Well, that can surely be the only conclusion to be drawn by the inclusion among the 14 Star Academy competitors of a certain Manika Auxire.

The 22-year-old put in a show-stopping performance of the Carly-Rae Jepsen smash hit "Call me maybe" (Jepsen was herself the product of a TV talent show in Canada) during the opening programme.

Obviously not content with brutalising Jepsen's song, the former Miss Poitou-Charentes (aha...the real reason for her inclusion - to add "une touche de glamour" to the proceedings?) found herself among the three nominees threatened with elimination the following week and promptly massacred another tune...Zaz's 2010 hit, "Je veux".

Now for those of you with strong constitutions, you can hear just how talentless Auxire really is - well at least when it comes to singing.

Here's her version of "Call me maybe" followed by Jepsen's just for comparison.





And if you're a real glutton for punishment, speed through the whole of the second programme to discover her - thankfully - last TV warbling performance (for now) at one hour 21 minutes and 47 seconds - almost two minutes of aural torture.

Or you could always listen to Zaz.



A word of warning. Dowloading the full replay programme will take a while, so you've more than enough time to peel the spuds, wash the kitchen floor or wrap some Christmas presents.

But if you have both the patience and the masochistic tendency to hear how awful she is, you might want to dull the pain with a very stiff something-or-other beforehand.

The woman can't sing - in tune at least - and perhaps it's not surprising the French have the expression "chante comme une casserole", although that's being a little unkind to saucepans.

Friday, 18 May 2012

Friday's French music break - Dalida, "Depuis Qu'Elle Est Partie"

Friday's French music break this week a whole album. Oh let's be really greedy then and make it a double!

It's "Depuis qu’elle est partie" which is a tribute to one of France's most famous singers - the late Yolanda Gigliotti.



You and many others might know her better under the name with which she achieved fame, not just in France but worldwide: Dalida, the Egyptian-born singer-actress whose extraordinary career included phenomenal success combined with a tragic personal life.

It's well chronicled elsewhere on the Net (try her biography on Radio France Internationale for starters) so there's no need to go into great detail here.

But the impact Dalida had over a 30-year period and the way she lived, loved and ended her life, led to the "iconic image of her as a tragic diva" which persists to this day.

If you've lived in France, for no matter how short a time, the chances are you'll have heard and perhaps recognise one her many, many hits.

And some of them have been collected on this double album produced by her brother Orlando and released on May 3 to mark the 25th anniversary of her death.

Disc one is pure Dalida - 20 tracks which include some of her best known songs such as "Bambino", "Il venait d'avoir 18 ans", "Laissez-moi danser" and of course (with Alain Delon) "Paroles paroles".

And then there's that second disc - proof, if it were really needed, of her legacy.

It also contains 21 tracks - sometimes of the same songs - performed by a whole host of (mostly French) artists such as Christophe Willem, Hélène Ségara, Patrick Fiori, Dany Brillant and Christophe.

Some of them aren't half bad, such as the interpretation the fabulous Amel Bent gives of "A ma manière" others are...well a bit iffy to say the least.

But the real class of course is from the diva herself - hard to improve on even though many have tried over the years in cover versions.

So here, for fans and the plain curious alike, a video clip available on YouTube of Dalida performing the completely over-the-top but nonetheless tremendous (well it's all a matter of personal taste, isn't it?) 1974 hit "Gigi l'amoroso".

Listen to those rrrrrrrrrrrolling "rs"


Friday, 24 February 2012

Friday's French music break - Christophe Willem, "I will always love you"

Friday's French music break this week is a tribute of sorts with Christophe Willem tackling the late Whitney Houston's signature song, "I will always love you."

Christophe Willem (screenshot from Europe 1 performance)

Actually it's not an official single, but a version of the song Willem has performed several times in concert over the years.

Willem first shot to fame in France in 2006 during season four of the TV talent show Nouvelle Star (the equivalent in this country of Pop Idol).

When he auditioned in Toulouse he appeared to be the most unlikely of eventual winners, dressed as he was in the ugliest of stripey pullovers and an old pair of jeans, and with a posture that earned him the nickname of "La Tortue" (The Turtle) from Marianne James, one of the judges.

Christophe Willem - audition for Nouvelle Star (screenshot from video clip)

It was an epithet that was to stick with a title of the same name by French songwriter Philip Katerine appearing on Willem's first album.

With, in the words of André Manoukian, another of the judges, his "voice of a diva and excellent swing" Willem charmed the jury and public alike, turning in one startling performance after another as the weeks passed and topping the whole shebang off by winning, of course.

Fans had to wait the best part of a year before Willem released his excellent debut album "Inventaire" with tracks written by the likes of Katerine, Zazie and Olivier Schultheis, and there followed concert dates and TV appearances as Willem firmly established himself on the French music scene.

Since then, Willem has released two further studio albums, "Caféine" in 2009 and "Prismophonic" in 2011; in both cases his music has taken a distinct electro-pop music turn.

And that's a shame, because one of the 28-year-old's strengths is the purity and clarity he brings to acoustic versions of songs.

The excellent "Jacques a dit" from the "Inventaire" album is probably the best example, "I will always love you" which he performs in concert, is another.

But - and it's a massive but - in his rendition of the song written by Dolly Parton but made famous by Houston, Willem is walking the proverbial fine line of turning an already over-sentimental song into pure and simple schmaltz.

Arguably, Houston got away with it because of who she was, her voice and her star stature.

Willem, however good he is when performing simple piano and voice (and he is good) sounds like someone putting in a not-quite-as-good performance of a song that probably irritated and moved in equal proportions when sung by Houston, who had made it her own.

Anyway, take a listen - if you dare.

The Europe 1 version is an extract and thankfully lasts little over a minute.



If you're a real glutton for an aural drubbing, you can listen to the one of the live performances available on YouTube such as this one on television a couple of years ago.

Bon courage et bon week-end!

Wednesday, 29 June 2011

Matthew Raymond-Barker howls his way to win France's X Factor

Yes the winner of the France's version of the X Factor (and you have to pronounce that as "Ix Factor) is none other than a guy who was literally booted off the British version of the show without making it through to the live prime time snore-athons.

Matthew Raymond-Barker (screenshot M6 video)

Matthew Raymond-Barker outwarbled Marina D'Amico to become the country's latest super-talented "find" and in the process securing a record deal with Sony.

Oh what a night it was to be - a very long one.

Sandrine Corman was on hand to continue her sterling job of keeping the whole shebang flowing - just as she had done for the past three months.

The judges took their places with Olivier Schultheis (D'Amico's coach) and Canadian impressionist-singer Véronic DiCaire (for Raymond-Barker) keeping their fingers (and just about anything else) crossed for their protegés and it was time to let battle begin.

The show was to be - in the words of Christophe Willem, one of the judges and as a former talent show winner (Nouvelle Star) and ergo someone who should know, "A clash of the Titans".

Even the rather more surly Henry Padovani, a founder member of the Police (did you know that?) and the poor guy who had to pretend that he had actually enjoyed his role as coach of three groups that were never going to win, managed to drum up some enthusiasm for both D'Amico and Raymond-Barker admitting grumpily (and not with any real sincerity) that they, "deserved to be in the final."

Raymond-Barker's (doesn't that just trip off the tongue delightfully) parents had made the trip over from Britain. Poor things, they looked as though they didn't understand a word of what was being said throughout, which was probably the case.

D'Amico's parents too were in the audience - just as they had been all along to cheer their 17-year-old daughter along.

We learned that the 22-year-old Raymond-Barker had turned up at the auditions by - in his words - "pure chance" (yeah, yeah, we believe you), that D'Amico made endless (mindless) jokes and that the two of them couldn't wait to perform together for the first time in the competition.

The songs came and went: three from each of them including the one that would be the first single should they win the competition.

The judges gave their verdicts, which, let's face it, were never going to be along the lines of, "Well that was a load of old tripe. How the heck did we end up with these two in the final?"

Guests Bouncy - sorry Beyoncé - and Bruno Mars showed both Raymond-Barker and D'Amico how it really should be done.

But once again the presence of two international stars performing live didn't really do it in terms of ratings.

Only 2.3 million could be bothered to tune to X Factor while at the same time 8.2 million were glued to their boxes watching the US import "Dr House" over on TF1.

The finals songs sung, both competitors and their coaches joined Corman on stage as she gave a brief resumé of their capabilities (all that was needed really) and told everyone how close the competition had been with only 1,300 votes separating the two.

"The winner of X Factor 2011..." dramatic pause #1..."is"...dramatic pause #2..."MATTYOU RAYMOND-BARKEEEEEEEEER!"









Dicaire gave her "Mattyou" a huge hug. Schulties looked very purse-lipped about the result and D'Amico jutted out her substantial chin in brave defeat.

Raymond-Barker thanked everyone he could think of in French before uttering the inevitable "I don't believe it" in English and the rest of the "also-took-part" contestants rushed on stage to congratulate/comiserate a they saw fit.

Just time for the winner to prepare himself to murder Daniel Balavoine's 1982 hit "Vivre ou survivre" for one last time.

That's the song which will be released on Saturday as his first (and only?) single.

M6 has yet to decide whether it will continue the search for that someone with the X Factor next year or revert to Nouvelle Star (Pop Idol).

Here's a suggestion...how about "Neither of the above".

In the meantime, here's a chance for you to "enjoy" Matthew Raymond-Barker singing "Vivre ou survivre" with the original from Balavoine to serve as a comparison.












Monday, 14 March 2011

X Factor à la française "The musical event of the year" - apparently

Just when the French must have thought they were safe from television talent shows, up pops the latest offering - X Factor.

X Factor judges left to right Henry Padovani, Véronic DiCaire, Christophe Willem and Olivier Schultheis (screenshot from YouTube trailer)

On Tuesday the commercial broadcaster M6 will launch the revamped, prime-time search for France's next...er...Sébastien Agius.

Don't worry if you've never heard of him. The chances are, neither have a majority of the French.

Agius was the winner of the first French X Factor in 2009 broadcast on M6's sister channel W9 and although he has released both a single and an album since picking up the title, and played concerts, the 28-year-old has hardly set the French musical scene alight.

Whatever.

The Powers That Be at M6 have obviously decided there's life in the format and, after shelving Nouvelle Star (France's version of Pop Idol) last year at the end of its eighth season, are ready to (re)launch what they proudly and presumably without hyperbolic intent, announce on the show's website will be, "The musical event of the year".

The programme hits the screens on Tuesday evening with an "all-star" line-up of judges that includes - hold your breath - Henry Padovani.

He, M6 proudly informs us, was a "founding member of the British rock group 'The Police'" and is "one of the few French musicians to have had a successful career in Britain."

Apparently he's still "very close" to Sting et al, even though he left barely a year after the group was formed and before it hit the Big Time.

Rest assured though, he has apparently had plenty of success since and brings "with his 360 degrees experience from the world of music as a musician and manager, vision and wisdom to the X Factor candidates."

Ah. There's nothing like laying it on thick.

Joining Padovani is another "heavyweight" from the (French) music scene, Christophe Willem.

Now his is a name with which many French should be familiar and he's very much on tried and tested territory.

The 27-year-old will doubtless be able to give invaluable inside as he's been there, done that and bought the tee-shirt so-to-speak after winning Nouvelle Star back in 2006.

A couple of best-selling albums, several singles, concerts tours and regular television appearances under his belt, Willem says of X Factor that it's a "competition that can clearly change someone's life. I know: I lived it myself."

There's no messing with the musical pedigree of the show's third judge Olivier Schultheis.

He's a musician, lyricist, composer and conductor, son of singer-songwriter Jean and a former student at the prestigious Conservatoire national supérieur de musique et de danse de Paris.

Schultheis apparently has "perfect pitch" and has worked with a host of French stars as well as helping launch the careers of several - including Willem.

Completing the line-up of judges, and presumably proving that France's X Factor knows no international boundaries, is Canadian singer and impersonator Véronic Dicaire.

It's not a bad move on the part of the talented 34-year-old who is already a star within the French-speaking community in Canada and fairly blew audiences away in Paris early last year during an extended run at the capital's Théâtre de la Gaîté and returned to play extra dates in November.

Dicaire has a European tour scheduled from this month taking in cities in France, Switzerland and Belgium and an appearance on national telly will surely only boost her appeal to a wider audience.

"By nature sincere and energetic, Dicaire will bring the jury freshness and authenticity," according to M6.

That and, "Anglo-Saxon artistic standards," apparently - whatever that entails.

The whole shebang, including all the stages that have been completed to "discover" the 12 finalists, will begin airing Tuesday March 15 on M6 at 8.45pm local time.

Can you wait?

Wednesday, 10 February 2010

Christophe Willem at Eurovision Song Contest 2010?

It's one of those rumours that has been doing the rounds on the Net over the past week, and just like any speculation, once it's out there it seems that it won't go away - even though it has been denied.

Christophe Willem, the winner of the fourth edition of Nouvelle Star (the French version of Pop Idol) back in 2006, will represent France at this year's Eurovision Song Contest in May.

"Not so," said those responsible at France Television which will broadcast the show here live when contacted shortly after the "news" broke.

"Several websites have been saying this for several hours to create a buzz but the problem is it's completely untrue."

Right, that's clear then. One of those categorical denials that cannot be disputed.

Except some might remember what happened last year when similar rumours circulated that Patricia Kaas would be singing her heart out for this country in Moscow, the host of the 2009 contest.

Both Kaas and her management started out by trying to scotch them, only to end up announcing officially that she would indeed be singing France's entry.

And there she was in Russia

For those of you out there who have no idea what the Eurovision Song Contest is, it's an annual "musical" jamboree (very heavy on the inverted commas) which many music aficionados dread but the viewing public seems to love.

From humble beginnings in 1956 when just seven countries entered, it has under the auspices of the European Broadcasting Union (EBU) become something of an institution with millions tuning in to watch the very best and worst of what Europe has to offer - musically speaking.

In fact it has become so big that semi-finals take place to determine which countries will be allowed to take part.

Only the so-called Big Four - France, United Kingdom, Spain and Germany - qualify automatically for the final as they're the biggest financial contributors to the EBU and without them the production costs would be prohibitive.

This year it'll be coming from Oslo as Norway won the competition last time around and with it the honours to play host.



Since last winning the contest way back in 1977 when Marie Myriam sung the unforgettable "L'oiseau Et L'enfant", France has had a pretty dismal record, and not even the presence of a "big gun" such as Kaas in Moscow last year could woo enough support. She eventually finished eighth.

Anyway, back to the "yes he will, no he won't" rumour that Willem has been chosen to represent France.

The 26-year-old is arguably one of the most successful winners of a television talent show here in France, has had a clutch of hit singles and has released two albums.

There's a Facebook group (isn't there always in such cases?) that has been set up to gather support for him to represent France in Oslo, and when interviewed on whether the rumours were true or false he said the idea had been run past him and he had been in touch with some writers who could perhaps make the idea a reality.

"They're working on other projects at the moment," he said.

"So apparently it won't be me even though I too have read everywhere that it has been confirmed, but that's not the case," he added.

As to what he thought about the idea of singing at the Eurovision Song Contest, Willem admitted that it did have an appeal and he was in no way opposed to it.

"It's certainly a bit old fashioned in its concept" he said.

"But at the same time I find it quite interesting as we are constantly talking about Europe, and this is a concrete way of seeing what Europe is all about," he continued.

"It's a way of sharing music with each other and it could be a cool idea."



So there you have it. The Net helping add life to a rumour that has been denied but by the same token appears to have taken on a life of its own.

Thursday, 11 June 2009

French soulstress, Miss Dominique, is back

France might well have a new star in the making after Soan Faya walked away with this country's Nouvelle Star (Pop Idol) earlier this week, but another former contestant from a previous edition of the show has recently been making the music headlines.

This week saw the release of the album "Si je n'étais pas moi" from Miss Dominique or Dominique Michalon to give her her real name, the runner-up in season four of the talent show.

But it's not just her voice and music that have been creating a buzz. It's also her new look.

Physically speaking, Michalon is quite literally a shadow of her former self, having lost around 50kgs (or 110 lbs) since starting a strict diet and exercise regime.

Michalon is a singer with a huge voice able to tackle pop, soul and gospel classics.

When she appeared on la Nouvelle Star she blew away both the show's jury and viewers week after week with powerful and rousing renditions of songs such as "I'm every woman," "I feel good" or "I will survive".

But in the tradition of all great singers, Michalon was also able to do more than justice to ballads including "Calling you" or Edith Piaf's "L'Hymne de l'amour".

It was the sort of voice that probably hadn't been heard on the small screen regularly in France since the days of the late (US) singer Carole Fredericks.

Her appearance in the final couldn't have come as a surprise to anyone watching, and she would more than likely have won had she been up against anyone else other than Christophe Willem, a contestant whose voice and look was equally quite unlike anything the French had seen and heard for quite a while.

Ah the good old days when la Nouvelle Star actually lived up to its name!

Michalon might not have won, but she certainly wasn't forgotten. A record deal saw the release of her first (solo) album, "Une femme battante", which went double gold, several singles and a series of concerts and television appearances.

Then, as often appears to be the case, she seemed to disappear from the spotlight.

Until, that is, a couple of months ago when she first revealed what has been described by many in the media as her "physical metamorphosis".

"I always accepted my size," she said in an interview in April.

"I had 'zero complexes' about it and in fact in a way I was actually proud (of my size). But then my doctor sounded the alarm and said my weight was a health risk and I had to do something about it."

And so she began to diet and exercise; always under careful medical supervision dropping from a size 58 to 32.

While health reasons were undoubtedly in her words at the root of the decision, it probably won't have done her musical career any harm either, as the weekly French tabloid Gala points out.

"The record company must be rubbing its hands," says the magazine.

"Miss Dominique now fits into the mould of (looking like) a much more commercial product."



Whatever the case, Michalon might have lost the weight but she hasn't lost the voice, and this new album, for which she penned most of the tracks herself, is a humdinger.

Soul and groove à la française, if you will.

And she's not afraid to offer up explanations in some of the lyrics as to how she feels about the new look especially in the track "Le poids de ma différence".

"What's difficult to take is not the (physical) weight per se, but the burden of how others look at you," she says.

"When I say that 'I weigh the weight of all my differences', it's a way of saying that I'm aware of the way others might have seen me.

"I don't realise I've lost weight, rather that I was once 'rounder'".

Wednesday, 22 April 2009

France's Nouvelle StAAAAARGH - I beg your pudding!

Have you ever tried making a tarte tartin?

It's a French speciality, much the same thing as an upside-down apple tart with the fruit being caramelised in sugar and butter before being baked. Delicious.

Well it acts as an admittedly rather tortured culinary metaphor for this country's version of Pop Idol, called la Nouvelle Star - although unfortunately it's far from being as appetising.

All the ingredients are apparently there, somehow though the oven has been set at too high a temperature and the whole thing looks as though it's going to be seriously burnt.

For those of you who might not have understood what the blazes I'm on about and think that perhaps I've been popping too many of those little green pills, rest assured I'm fine.

Although after an evening listening to the caterwauling that is supposed to pass for this country's "next big thing", I'm none too certain.

So if your ears are prepared to endure an excruciating assault (you can click on the links provided to hear what I mean) and your eyes are ready to skim through this post, here goes.

Or alternatively you could do, as perhaps I should have done yesterday evening and...Zap.

Still here?

All right - a word of warning. Some of the "performances" (inverted commas absolutely vital) were horrible.

You now have two choices.

If you're really brave enough (or should that be masochistic?) then you can click on the link next to the candidates name for the full length version of their offering for the evening.

All the videos are on the programme's official website so they shouldn't be deleted (although perhaps they should be).

Alternatively you can take a listen here to the so-called "highlights". Ahem. Just three minutes worth and you'll get more than a fair picture of what viewers had to suffer.

A word or two on la Nouvelle Star and how it functions.

It's now in its seventh season and has in the past thrown up some real surprises and introduced some singers who would probably have made it anyway, but were given the extra push by appearing on the show.

Amel Bent (season two, third place), Christophe Willem (season four, winner) and Julian Doré (season five, winner) have all been successful in the French-speaking world, and probably have the talent, voices and following to stick around for a while longer.

Many of the past winners seem to have slipped into obscurity such as Jonatan Cerrada (season one, winner - although he did represent France one year at the Eurovision Song Contest!), Steeve Estatof (season two, winner) and Myriam Abel (season three, winner).

The jury is out on last year's Nouvelle Star, Amandine Bourgeois, as she has yet to release and album.

And that provides a segué into the jury. Yes there is one, comprised of four "heavyweights" from the French music industry.

Another serious clearing of the throat.

They spend several weeks holding auditions held up and down France for hopefuls from this country (of course) as well as Switzerland, Belgium and Canada, before whittling the choice down to the finalists - who then....well you probably know the rest of it, so I shan't explain.

There were 15 who made it through to the last stage in Paris. With one being eliminated by the voting public each week, Tuesday saw them down to the last eight.

The current make-up of the jury is André Manoukian, a jazz songwriter who has been with the programme since it started and makes rather wild and off-the-wall statements.

His most famous this year has been - quite rightly - after being subjected to one of the finalist's performances a couple of weeks ago when he came up with the expression, "I have to admit that there has been an ETC - un erreur terrible de casting"

Then there's Lio, (real name Wanda Maria Ribeiro Furtado Tavares de Vasconcelos), a Belgian singer of Portuguese origin who had several (forgettable) hits in France in the 1980s.

Philippe Manœuvre hides behind his trademark sunglasses come rain or shine and brings yonks of experience as a rock journalist to the show.

Finally there's Sinclair (real name Mathieu Blanc-Francard) who is another singer-songwriter although most French would probably be hard pushed to name one of his hits.

The four have more or less done their job in choosing the finalists and have little say in what happens now as the voting is purely up to the public, although of course after each song they get to "rate" the performance with a "red" (it stinks) or "blue" (thumbs up) and are not averse to having a handbags at dawn moment or two when they disagree.

Anyway, here's that promised selection of contestants still in with a chance of becoming the next Nouvelle Star - in the order in which they appeared on Tuesday night's programme.

First up Mahdi - a favourite of the jury, who was actually a contestant last year but dropped out before the finals for personal reasons. Sadly he didn't make that decision this year.

Here he is murdering a Jean-Jacques Goldman number "Aicha".

Melissa then karaoked her way through one of her favourite songs, the Pointer Sister's "I'm so excited".

"Doing the job of three," said Philippe Manœuvre, giving her the thumbs up. Maybe he should have taken his glasses off. I always find it helps me hear better.

Then it was the turn of the 17-year-old hairdresser Thomas, we know that because we're reminded of it at every available opportunity.

He can sing (now there's a surprise) but is terribly camp and insists on wiggling and strutting his way through a song - this time "Onde sensuelle".

"More Marlène Dietrich, less Liza Minelli next time," was the helpful advice of the jury afterwards. Huh?

Dalé sang what we were told was a Claude François song but in reality was in fact just the French version of a song written and performed by Johnny (good name that) Nash back in the 1970s "I can see clearly".

Next up was Soan (pronounce that Swarn), who took to the stage in a dress and Doc Marten-type boots with the obligatory over-made eyes to give us his rendition of The Cure's "Boy's don't cry".

"Uh sorry - this was done way back when, and you'll never be a Robert Smith, so stop trying." That was the should-have-been fifth member of the jury - me - in case you were wondering.

There was momentary relief as Lary put in the performance of the evening with 10CC's "I'm not in love". Still it was hard to get past the hair.

Leila was next, and after a catastrophic wail the previous week, she "had to improve".

Her solution was to rework "Dès que je te vois" by the sublime Vanessa Paradis.

All right so she looked a little like Vanessa on steroids as she stomped around the stage, but you could tell the jury wanted her to perform well, and she was different enough to get my vote - no I didn't ring in - even if she was as nervous as the proverbial cat on a hot tin roof.

Damien - he of the face made for radio and a voice for the dustbin - then massacred the Corgis "Everybody has gotta learn some time" which brought us finally (hooray) to Camélia Jordana (yes she has two first names).

She's only 16 and clearly the pick of the bunch as far as the jury is concerned, although this time around her version of Marilyn Monroe's "I wanna be loved by you" was not a wise choice.

The warbling was over and all that was left was the result of the vote with the show's presenter, Virginie Guilhaume, calling out each of the successful candidates one by one until there were just two remaining - Thomas and Mélissa.

"And the candidate who will be joining us here once again to continue the adventure," Guilhaume paused for the dramatic effect. "Is Thomas".

So Mélissa out, plenty of hugging and tears - and a huge sigh of relief that it was over for another week.

"Just seven candidates left," Guilhaume reminded us as the she hurriedly wrapped the programme up.

"Join us next week for another exceptional show."

What?

No, sorry Virginie, don't think so.


No, sorry Virginie, don't think so.

Christophe Willem, Jacques a dit

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