Sophie-Tith - a Nouvelle Star in the making?

The search is on for France's latest Nouvelle Star.

Yep, after a couple of years "on the shelf" mainly because of failing audiences, the French version of "Pop Idol" is back.

Mind you, it's not the generalist channel M6 which has commissioned the the show - the ninth edition.

Instead it's the revamped D8 - owned by Canal + and destined perhaps to become another - er all rounder.

Sophie-Tith (screenshot from auditions)

Th audition phase has come and gone, and the judges have been chosen the final 10 who'll be put to a public vote each week until the country's Nouvelle Star is crowned - complete with recording contract of course.

The four-member jury, comprising perennial presence songwriter-arranger André Manoukian (who has been there since the beginning), the return of musician Sinclair (real name Mathieu Blanc-Francard) and newbies Belgian singer Maurane (real name Claudine Luypaerts) and musician-composer Olivier Bas has whittled down the 7,000 hopefuls to just 10 and on Tuesday they'll take to the stage - their weekly fate to be decided live by the viewing public.

Now you might think this format is tired, clapped out and tedious. And the criticism would be a valid one, except that the programme can throw up some surprises.

But there's no denying it can act as a launching pad for an artist who might well have made it in his or her own right and an appearance in front of millions (although D8 is unlikely to match the audience figures of M6) can provide invaluable exposure.

Such should be the case for Sophie-Tith.

She might not win the whole caboodle, but there's surely no denying that she has an extraordinary voice and could be described as something of a vocal extraterrestrial (in the nicest possible sense) in that what comes out of her mouth, in no way matches your her physique.

Her voice is deep, full-bodied and resonant and she has perfect pitch with a natural swing or groove. And all that from a girl who's only 16!

It makes a real change from all those nasal high-pitched screechers (mentioning no names) who seem to be so popular and deem it necessary to belt out a number at full volume regardless.

Sophie-Tith's major problem might be that she has had a tendency (or at least she did during the auditions) to forget the lyrics, but here's hoping her proven musicality will be good enough to keep her performances going and enable her to receive the thumbs up from viewers.

Exclu Sophie Tith - L'extrait de son audition au théâtre

Friday's French music break - Christophe Willem, "I will always love you"

Friday's French music break this week is a tribute of sorts with Christophe Willem tackling the late Whitney Houston's signature song, "I will always love you."

Christophe Willem (screenshot from Europe 1 performance)

Actually it's not an official single, but a version of the song Willem has performed several times in concert over the years.

Willem first shot to fame in France in 2006 during season four of the TV talent show Nouvelle Star (the equivalent in this country of Pop Idol).

When he auditioned in Toulouse he appeared to be the most unlikely of eventual winners, dressed as he was in the ugliest of stripey pullovers and an old pair of jeans, and with a posture that earned him the nickname of "La Tortue" (The Turtle) from Marianne James, one of the judges.

Christophe Willem - audition for Nouvelle Star (screenshot from video clip)

It was an epithet that was to stick with a title of the same name by French songwriter Philip Katerine appearing on Willem's first album.

With, in the words of André Manoukian, another of the judges, his "voice of a diva and excellent swing" Willem charmed the jury and public alike, turning in one startling performance after another as the weeks passed and topping the whole shebang off by winning, of course.

Fans had to wait the best part of a year before Willem released his excellent debut album "Inventaire" with tracks written by the likes of Katerine, Zazie and Olivier Schultheis, and there followed concert dates and TV appearances as Willem firmly established himself on the French music scene.

Since then, Willem has released two further studio albums, "Caféine" in 2009 and "Prismophonic" in 2011; in both cases his music has taken a distinct electro-pop music turn.

And that's a shame, because one of the 28-year-old's strengths is the purity and clarity he brings to acoustic versions of songs.

The excellent "Jacques a dit" from the "Inventaire" album is probably the best example, "I will always love you" which he performs in concert, is another.

But - and it's a massive but - in his rendition of the song written by Dolly Parton but made famous by Houston, Willem is walking the proverbial fine line of turning an already over-sentimental song into pure and simple schmaltz.

Arguably, Houston got away with it because of who she was, her voice and her star stature.

Willem, however good he is when performing simple piano and voice (and he is good) sounds like someone putting in a not-quite-as-good performance of a song that probably irritated and moved in equal proportions when sung by Houston, who had made it her own.

Anyway, take a listen - if you dare.

The Europe 1 version is an extract and thankfully lasts little over a minute.



If you're a real glutton for an aural drubbing, you can listen to the one of the live performances available on YouTube such as this one on television a couple of years ago.

Bon courage et bon week-end!

France has a "Nouvelle Star" - really?

Soan Faya must be pinching himself this morning.

The 28-year-old is France's "Nouvelle Star" (Pop Idol) after winning the final in the traditional televised head-to-head on Tuesday evening.

It was the climax to a programme which started with 25,000 hopefuls attending auditions and ended with Soan (pronounced Swarn), the former busker, beating the 18-year-old Leïla to clinch a recording contract with one of this country's major labels.

This year's final - a dismal affair - attracted only 3.8 million viewers, down from four million last year.

But that hasn't stopped the private channel M6 from announcing plans for a 2010 edition.

Ah - la Nouvelle Star - a long and often, for the viewer, tortuous journey through the supposed landscape of fresh French musical talent.

A word or two maybe on how the show functions.

Even though the Pop Idol format is a familiar one to many television viewers around the world, the French version has its own peculiarities.

For starters of course, the repertoire of songs from which the contestants have to choose is on the whole based on French "standards".

It makes sense really as it means that most viewers are at least familiar with many of the tunes each singer is taking a stab at "making their own".

There are also a fair number of attempts at interpreting popular English language songs, but more often than not the results are less than convincing (and that's putting it politely).

What perhaps doesn't make sense though is the system of voting, which opens immediately the show starts, and thus isn't really a judgement on the performances, but from the outset a popularity contest based on....well who knows?

In any case, one thing's for sure, it's not necessarily on musical talent.

This year was the seventh edition of la Nouvelle Star, and it has in the past thrown up some real surprises and introduced some singers who would probably have made it anyway, but were given the extra push by appearing on the show.

Amel Bent (season two, third place), Christophe Willem (season four, winner) and Julian Doré (season five, winner) have all been successful in the French-speaking world, and probably have the talent, voices and following to stick around for a while longer.

But many of the past winners, such as Jonatan Cerrada (season one), Steeve Estatof (season two) and Myriam Abel (season three, winner) after the initial "15 minutes of fame" seem to have slipped into relative obscurity, or at least haven't exactly taken the music world by storm.

The show of course has a jury of four "heavyweights" (a serious clearing of the throat) from the music industry.

The longest-serving member is André Manoukian, a jazz songwriter who has been with the programme since it started and makes rather wild and off the wall statements.

His most famous this year came after being subjected to one performance which he described as being evidence that there has been "An ETC - un erreur terrible de casting"

Then there's Lio, (real name Wanda Maria Ribeiro Furtado Tavares de Vasconcelos), a Belgian singer of Portuguese origin who had several (forgettable) hits in France in the 1980s.

Philippe Manœuvre spent the series hidden behind his trademark sunglasses and bringing yonks of experience as a rock journalist to the show.

Finally there was Sinclair (real name Mathieu Blanc-Francard) who is another singer-songwriter although most French would probably be hard pushed to name one of his hits.

Their initial task was to hold auditions up and down France for hopefuls from this country (of course) as well as Switzerland, Belgium and Canada, before whittling the choice down to the final 15.

There then followed the seemingly interminable and, often for the viewer, painful rigmarole of live weekly televised broadcasts as the finalists took to the stage.

The first show of the season, back in April, saw the voting public choose nine contestants to go through to the second round, with the jury picking one of the remaining six to join them.

After that of course the judges had a purely advisory role, assessing each performance, squabbling among themselves and generally putting on a show that at times was far more entertaining than that offered by those hoping to become la Nouvelle Star.

You know the score. It's not exactly original TV.

So back to this year's winner, Soan. A singer who, over the past couple of months has apparently built up enough of a following in spite of often forgetting the lyrics.

In fact "not singing" the whole song became something of a trademark as he relied on the admittedly excellent musicians to help him through each show.

So what exactly did he have going for him that has made him la Nouvelle Star?

It certainly can't have been his voice - one which sounded like something in between a groan and a shout as week in, week out he monotonously but relentlessly warbled his way to victory.

Well maybe it was the innovative use of far too much make-up as, eyes heavily blackened, he glared into the camera.

Or perhaps it was the Gothic garb he wore, including his "favourite dress" and Doc Marten type boots that wowed the viewers.

There again it could have been his successful attempts to ruin Edith Piaf's "L'accordéoniste", ridiculously "punk up" France Gall's "Poupée de cire, poupée de son," or attack Georges Brassens' "La mauvaise réputation".

Oh but wait, there was also the non-too original rendition of the Sid Vicious version of "My way", The Cure's "Boys don't cry", and U2's "One"...and many, far too many, dated and clichéd interpretations of songs in both English and French that left the viewer wanting "more".

Whatever the case, Soan is la Nouvelle Star, and next up is the real test as to whether he's able to come up with an album that anyone actually wants to buy.