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Showing posts with label Claude François. Show all posts
Showing posts with label Claude François. Show all posts

Friday, 24 January 2014

Friday's French music break - Yseult Onguenet, "Roar" and "Ne me quitte pas"

Friday's French music break this week is a double whammy from a singer who is just beginning her career.

It's Yseult Onguenet with her version of Katy Perry's "Roar" and Jacques Brel's "Ne me quitte pas".

Onguenet is one of the contestants this year in the TV talent show Nouvelle Star (the French equivalent of Pop Idol) currently being broadcast weekly on D8.

Now before you start groaning, give the format - and in particular Onguenet a chance.

Yseult Onguenet singing "Roar" (screenshot from D8 Nouvelle Star)

The 19-year-old is probably one of the favourites to win and she certainly seems to be the judges' pick.

But they've got it wrong before (and so has the viewing and voting public come to that).

Because the "collected works" of Star Academy, Nouvelle Star, X  Factor (which only ran for two seasons in France) Popstars and most recently The Voice have allowed some complete non-entities their proverbial 15 minutes and plus of fame.

But they've also provided the launching pad for some successful singers. Jenifer, Nolwenn Leroy, Élodie Frégé and the late Grégory Lemarchal from Star Academy.

While Nouvelle Star has, down the years, given us Christophe Willem, Julien Doré (both winners) as well as Amel Bent.

And Matt Pakora (winner) and Chimène Badi (eliminated because the producers thought her voice unsuitable to be part of the group they were looking to form) both owe their initial exposure to Popstars

Anyway back to Nouvelle Star, now down to the last five...including Onguenet

And it's not difficult to see why.

She opened the first prime time show with a rather rushed and not totally inspired version of Stromae's "Papaoutai". But that could perhaps be put down to nerves.

Since then though, Onguenet has blossomed, putting in one stunning performance after another

Sure, her choice of songs has sometimes been more than audacious, maybe even conceited, with renditions of Brel's "Ne me quitte pas" and "Comme d'habitude" by Claude François.

But it has also been varied with her tackling Lana del Rey's "Summertime sadness", Radiohead's "Creep" and Benjamin Biolay's "Ton héritage".

Yseult Onguenet singing "Ne me quitte pas" (screenshot from D8 Nouvelle Star)

Yes, this is a young woman who seems able to turn her vocal cords in whatever direction she chooses.

Her voice is distinctive. She has a great timbre and range and there's also the flavour of her Cameroonian roots (yes that sounds ridiculous, but listen) in some of her interpretations.

And each performance (even if it has been enhanced and produced for TV in spite of being live) has been a revelation.

Anyway put away any preconceived ideas you might have about TV talent shows and judge for yourselves.

Here are those two performances which (so far) stand out.

First up Katy Perry's 2013 hit "Roar" - which is exactly the full throttle approach Onguenet takes in her interpretation

And then Jacques Brel's much-(over) covered "Ne me quitte pas", into which she breathes ...well take a listen.

Un très bon week-end à toutes et tous!





Wednesday, 18 January 2012

Cloclo film trailer creates buzz

It looks as though so-called biopics are going to be putting plenty of bums on seats at cinemas over the coming year.

Already there's word out that Meryl Streep is in the running for yet another Oscar nomination for her portrayal of former British prime minister Margaret Thatcher in "The Iron Lady".

Similarly "My week with Marilyn" starring Michelle Williams has been getting rave reviews with the actress also tipped for a possible gong nomination for "capturing the magnetism and vulnerability of Marilyn Monroe."

Then there's "the role of a lifetime" (IndieWire's Melissa Silverstein)for Malaysian actress Michelle Yeoh in her portrayal of Burmese opposition leader and Nobel peace prize winner Aung San Suu Kyi in "The Lady".

Yeoh might not get any nods from Hollywood's direction, but film critics have been largely enthusiastic and the director, Frenchman Luc Besson, has also been praised for "crafting a masterpiece in the gentle telling of a wife and mother who is forced to balance her love for her country against her love for her family." (Working Author's Summer J. Holliday)

All well and good, but where's French cinema (apart from Besson of course) in all of this apparent "biopic trend"?

Well the answer will be revealed on March 14.

That's the release date set for the long-awaited "Cloclo", a film that takes as its title the nickname of an icon of French popular music, the late Claude François.

As far as critics who've already seen a trailer for the film are concerned, director Florent Emilio Siri has made an inspired choice in casting 31-year-old Belgian actor Jérémie Rénier to play the lead role.

Jérémie Rénier is Claude François (screenshot from Cloclo trailer)

The physical resemblance, as TF1 news reported, is "staggering" and, as the national daily Le Figaro wrote it looks as though Rénier has made the role his own - and not just in terms of looking like François.

"I asked for a lengthy preparation period before shooting began," Rénier told the paper.

"I couldn't sing, dance or play the drums, so I had a lot to learn," he continued.

'I also worked a lot on my breathing and exercised. In total it took four months of intense preparation - every day."

The result will be on general release in France just days after the 34th anniversary of François' death.

For those who can't wait, here's the trailer - just to whet your appetite followed by a (rather poorly recorded although there are others available on YouTube that cannot be embedded) clip of François singing one of his biggest hits "Alexandrie Alexandra".





As Radio France Internationale says in its biography of the singer, François was "the undisputed icon of French kitsch" and his songs remain timeless and popular.

Most of his hits in France were French renditions or adaptations of songs that had already been hits in English abroad, but he also co-wrote and recorded the original of what would become one of the standards of popular music throughout the world, "Comme d'habitude" or "My Way" in English.
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