Incomplete film faction - the "Intouchable" Nicolas Sarkozy

It hasn't taken long has it?

Hollywood is reportedly casting for its own version of last year's runaway French cinema success, "Intouchables".

And the bookies' favourite to play the role of one of the lead characters is British actor Colin Firth.

He's also the choice apparently of the original film's directors Olivier Nakache and Éric Toledano.

François Cluzet as Philippe in "Intouchables" (screenshot from official trailer)

But it can now be revealed that Firth has competition.

Because, while the US brothers, Bob and Harvey Weinstein, who've bought the rights to produce the remake might also be in favour of the "touch of class" Firth could bring to the film, Hollywood insiders say there are other names circulating and among them apparently, is none other than the former French president, Nicolas Sarkozy.

"The feeling in Hollywood is that the French film industry is on a roll after this year's Oscars and casting a Frenchman in one of the lead roles is seen as something of a masterstroke," an unnamed studio executive says.

"And the name on everyone's lips is that of Nicolas Sarkozy who doesn't have much to do at the moment apart from making frequent trips to Morocco and the occasional session of the Constitutional Council."

Sarkozy is said to be mulling over the idea and will apparently talk it over with his wife, Carla Bruni-Sarkozy, an accomplished and experienced actress in her own right.

"That could swing things in Sarkozy's favour even though he doesn't really have a grasp of English yet," the insider continues.

"Carla would make an excellent coach both in terms of acting and learning the language. And as far as the film is concerned, just think what sort of media coup it would be to have a former French president playing one of the leads.

"It would be a tremendous box office draw around the world."

Sarkozy's name was mentioned after reports that the current French president, François Hollande, had turned down the role because, "He was too busy and it would represent a conflict of interests."

Just a reminder for those of you who might have forgotten or haven't yet seen the film, the role for which Sarkozy is being considered and Hollande has turned down is the one played by François Cluzet.

In the film Cluzet is Philippe, a rich tetraplegic living in a luxury Paris apartment is in need of a 24/7 live-in carer.



In case you were wondering, there is a slight embellishment of the truth in this piece: Carla Bruni-Sarkozy is far from being an accomplished actress.

"The Artist" - a truly French success story?

It has been the talk of France over the past couple of days, the success of the film "The Artist" at this year's Oscars.

(screenshot from "The Artist" trailer)

The film, directed by the man by with an almost unpronouncable name (pity the poor Americans) Michel Hazanavicius, and starring Jean Dujardin picked up five statuettes, including Best Director, Film and Actor.



Without wanting to appear entirely churlish, how much is the gongification of the film and those involved down to the quality of what was up on the Big Screen and how much is due to a "master of movie industry promotion" Harvey Weinstein?

Is the film really a French success or just another example of how much power Weinstein wields in Hollywood?

Yes it's a film worth seeing. It's enjoyable and in a review when it first went on general release here in France, there was the recommendation here that, "If there's one film - just one single film - you should absolutely go to see this year it has to be 'The Artist'."

It's delightful, immensely entertaining and beautifully shot; "A pastiche…but lovingly made and extremely watchable," is how Screen International described it, and that was pretty much spot on.

When it premiered at Cannes, the long journey to international recognition was given one heck of a boost when Dujardin picked up Best Actor.

With a canny eye for what might appeal, Weinstein had already picked up the distribution rights before Cannes and by the time the film went on general release here in France in October, there were already rumours that it might be nominated in the main section of the Oscars and not consigned to the Foreign Picture category.

Its appeal was obvious.

Although not exactly original in being a silent film (after all how did the industry begin?) it was different enough to the 3D, special FX, kitchen sink sort of blockbuster diet the movie-going public is so often fed.

And what had originally been the very source of Hazanavicius' difficulties when he first came up with the idea in the 1990s but failed to get the funding, suddenly became one of its strengths as the promotional juggernaut switched up a gear.

Different equalled allure.

It paid dividends with the buzz from successive awards ceremonies including Golden Globes, British Baftas and French Césars (although in the case of the last, not Best Actor for Dujardin) combining with a formidable charm offensive to woo the Academy members who vote for the Oscars.

Throw in the theme of the film (Hollywood), where it was shot (Hollywood) and the homage it paid to several other (Hollywood) films and it surely had "winner" written all over it.

Plus there was no real language barrier to overcome.

Yes it is a French film directed by a Frenchman, starring French actors and produced by another Frenchman in the form of Thomas Langmann the son of the late (Oscar-winning) French director Claude Berri.

But equally its success is arguably very US driven.

Although it'll provide an international and financial boost to the careers of those involved especially Hazanavicius, his partner Bérénice Bejo and perhaps most notably Dujardin - provided they're willing to make as much of a commitment to living and working in Hollywood - it's undeniably also a tribute to the power and influence of one man - Harvey Weinstein.